TidBITS#786/04-Jul-05
=====================
This week's issue revolves around audio, but in two very
different ways. First, Adam examines the recent Supreme Court
decision against peer-to-peer file sharing companies Grokster
and StreamCast Networks. Then Andy Affleck rejoins us for a
look at the new podcasting support in iTunes 4.9. In the news,
we cover the releases of QuicKeys X3 3.1 and Virtual PC 7.0.2,
note the passing of grayscale iPods, and announce "Take Control
of Tiger," our latest Take Control print collection.
Topics:
MailBITS/04-Jul-05
P2P Takes a Licking but Keeps on Ticking
Apple Releases iTunes 4.9 with Podcasting Support
Take Control News/04-Jul-05
Hot Topics in TidBITS Talk/04-Jul-05
<http://www.tidbits.com/tb-issues/TidBITS-786.html>
<ftp://ftp.tidbits.com/issues/2005/TidBITS#786_04-Jul-05.etx>
Copyright 2005 TidBITS: Reuse governed by Creative Commons license
<http://www.tidbits.com/terms/> Contact: <[EMAIL PROTECTED]>
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This issue of TidBITS sponsored in part by:
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MailBITS/04-Jul-05
------------------
**QuicKeys X3 3.1 Supports Automator, Adds Toolbars** -- Startly
Technologies has released QuicKeys X3 version 3.1, adding support
for incorporating Automator workflows into QuicKeys shortcuts and
bringing back SoftKeys, which provides a translucent toolbar with
10 slots for holding shortcuts. Smaller improvements include a new
option for the Open Items action that lets you specify on the fly
which application to use, the Action Palette for providing faster
access to shortcuts within QuicKeys Editor, and the capability
to trigger shortcuts based on the mounting or dismounting of
specific drives or network volumes. For more about QuicKeys X3,
see "QuicKeys X3 at the Crossroads" in TidBITS-767_. QuicKeys X3
3.1 requires Mac OS X 10.3.9 or later and is a 14.1 MB download.
It's a free update for users of QuicKeys X3; updates from previous
versions run between $30 and $70, and new copies cost $100. [ACE]
<http://www.quickeys.com/products/qkx.html>
<http://db.tidbits.com/getbits.acgi?tbart=07993>
**Virtual PC 7.0.2 Gains Full Tiger Compatibility** -- Microsoft
has released Virtual PC 7.0.2, a free minor update that provides
full compatibility with Mac OS X 10.4 Tiger. In particular,
the update fixes problems under Tiger with Virtual Switch,
Zero Configuration Printing, and the Dock Start Menu. The
update is a 17 MB download and will update versions 7.0 and
7.0.1. Microsoft also announced that new copies of Virtual PC 7
purchased before 30-Sep-05 would be eligible for a $30 rebate.
[ACE]
<http://www.microsoft.com/mac/downloads.aspx?pid=download&location=
/mac/download/misc/vpc7_0_2.xml>
<http://www.microsoft.com/mac/products/virtualpc/rebate/rebate.html>
**Apple Says Goodbye to Grayscale iPods** -- In conjunction with
the release of iTunes 4.9, Apple merged its iPod and iPod photo
product lines. Gone are the black and white screens that appear
on most current iPods - it's all color now. The new lineup
includes a 20 GB iPod for $300 and a 60 GB iPod for $400. Apple
also introduced a 20 GB iPod U2 edition (black body, now color
screen) for $330. At the same time, the price of the 1 GB iPod
shuffle has been reduced to $130. [JLC]
<http://www.apple.com/ipod/>
**DealBITS Drawing: Audio Hijack Pro Winners** -- Congratulations
to David Scott of mac.com, Mary Seiler of comcast.net, and Marian
Petrides of earthlink.net, whose entries were chosen randomly from
1,246 valid entries in last week's DealBITS drawing and who each
received a copy of Audio Hijack Pro from Rogue Amoeba Software,
worth $32. Even if you didn't win, you can still save $5 on Audio
Hijack Pro through 11-Jul-05. Use the coupon code TIDBITS2 when
ordering to receive your discount; this offer is open to all
TidBITS readers. [ACE]
<http://www.rogueamoeba.com/audiohijackpro/>
<http://db.tidbits.com/getbits.acgi?tbart=08149>
P2P Takes a Licking but Keeps on Ticking
----------------------------------------
by Adam C. Engst <[EMAIL PROTECTED]>
On 27-Jun-05, the Supreme Court of the United States handed down
a unanimous decision in the MGM v. Grokster case that dealt a
blow to proponents of peer-to-peer (P2P) file sharing technologies
and gave free rein to the lawyers of the large media companies.
Or did it?
**The Case** -- The case was relatively simple. MGM and 27 other
large media companies filed suit against the P2P companies
Grokster, StreamCast Networks (makers of the Morpheus program),
and Sharman Networks (makers of the Kazaa software), alleging
that the three were responsible for copyright infringements
that occurred as a result of the use of the free Grokster,
Morpheus, and Kazaa software (hereafter, I'll refer to the
three as "Grokster" for simplicity; in fact, Sharman's part
of the case wasn't even included what went before the Supreme
Court). The Supreme Court heard the case on appeal after two
lower courts had ruled in favor of the P2P companies.
Those rulings were based on the well-known Sony Corporation of
America v. Universal City Studios case from 1984 that revolved
around whether or not Sony was liable for copyright infringement
because the Betamax video recorder could be used to infringe upon
copyrighted works without the permission of the copyright holder.
In that case, Sony was held to be free of liability because
the Betamax recorder was "dual-use" in that it could be used
for both infringing and noninfringing purposes. The court's
particular wording was that the Betamax was "capable of
substantial noninfringing uses." In the Sony case, the Supreme
Court held that although Sony knew the Betamax could be used
for infringing purposes, time-shifting (recording a program
for later viewing) was a substantial noninfringing use.
<http://www.eff.org/legal/cases/sony_v_universal_decision.html>
The fact that Grokster and Morpheus could be used for substantial
noninfringing uses formed the core of the defense case, and
the lower courts interpreted the Sony case fairly literally in
agreeing. In disagreeing with the lower courts, the Supreme Court
found that Grokster and StreamCast were potentially liable for
copyright infringement because they actively promoted the fact
that their software could be used to download copyrighted works
without permission. In other words, intent is important, and the
companies intended to create software that would enable users
to infringe copyrights - they were inducing users to infringe
copyright law. The Supreme Court based this decision on internal
documents showing, for instance, that the companies created
advertising aimed at picking up users from the original Napster
service after it was shut down and that they planned to flaunt
illegal uses of their software for PR purposes. More telling was
the advertising-based business model used by each, since success
in such a business model requires increasing the number of users
and amount of usage, and both companies promoted the capability
of their software to provide popular copyrighted works as a way
of increasing usage. It's worth reading the full text of the
decision to understand the full reasoning:
<http://www.eff.org/IP/P2P/MGM_v_Grokster/04-480.pdf>
With this decision, the lawsuit returns to lower courts, where
the question of whether or not these P2P companies were in fact
responsible for contributory copyright infringement will be
examined. Given that Grokster and StreamCast did not dispute
the fact that their programs were heavily used for downloading
copyrighted works (between 75 percent and 90 percent of the total
works available, according to an MGM survey given as evidence in
the case), it seems unlikely to me that either will survive these
subsequent cases unless they can somehow show that the Supreme
Court's finding of inducement to infringe was incorrect. Sharman
Networks claims in a press release that they never encouraged or
assisted Kazaa users to download copyrighted works; we'll see
what the court finds.
<http://www.sharmannetworks.com/content/view/full/310>
**The Subtext** -- As with many cases that reach the Supreme
Court, this one isn't really about the specific fate of a
few rather unappealing companies. The bigger picture is the
battle between the rights of copyright holders as set down
in the Constitution and radically extended by Congress many
times under lobbying, and the chilling effect on technological
innovation that the protection of copyright could engender.
Put another way, if a potential technology could be used to
infringe copyright, will technologists still invest the time
and money into development given the likelihood of facing
expensive lawsuits?
On the face of it, of course, it looks bad for technologists.
But the Supreme Court was fairly careful not to reinterpret or
modify the decision of the Sony case, thus failing to clarify
the situation further. Justice Ruth Bader Ginsburg touched on
the topic slightly, by arguing in a concurring opinion that the
P2P software made by the defendants was used overwhelmingly to
download copyrighted works, thus implying that the Sony decision
might not apply if the technology in question were overwhelmingly
used to infringe, even if substantial noninfringing uses were
possible. But Justice Stephen Breyer, in an opinion that concurred
with the overall decision, disagreed with Justice Ginsburg,
arguing that the noninfringing uses in the Grokster case were
equivalent to those in the Sony case. He also pointed out that
a key phrase in the Sony case was "capable of substantial
noninfringing uses," and that the "capable of" part of that
phrase was intentionally forward-looking, allowing for the
possibility that there might be other noninfringing uses that
would appear over time. That's tremendously important, because
it underscores the entire argument - that the freedom to innovate
must be protected because of future capabilities that are as yet
unrealized. He summed up:
"Of course, Grokster itself may not want to develop these other
noninfringing uses. But Sony's standard seeks to protect not the
Groksters of this world (which in any event may well be liable
under today's holding), but the development of technology more
generally."
Again, I encourage anyone interested in this topic to read the
full decision, which apart from some bits referencing prior cases
in an abbreviated fashion, is in fact highly readable and truly
fascinating.
**Where to Go from Here** -- Although I'm pleased to see the
Supreme Court upholding the Sony decision even while ruling
against Grokster, I remain troubled about the entire situation.
My fear is that the Content Cartel - the large media companies
that collectively control a vast quantity of our society's
cultural products - will see this victory as license to file
ever more lawsuits against any company or individual seen as
infringing copyrights. We are talking about a particularly
litigious industry: according to Cary Sherman, president of the
RIAA, his organization has already filed about 10,000 lawsuits
against individuals, with the average settlement being about
$3,000. (If you were wondering, no, none of the settlement money
ever goes to the artists who were in theory harmed. Cary Sherman
told me that the RIAA applies all the money to legal fees, given
that it loses a lot of money on every lawsuit.)
On the other side of the fence, I expect we'll see many
providers of file sharing programs removing their products
from distribution, and those that remain being more careful
about how they promote and target their products so as not to
run afoul of this recent Supreme Court decision. We'll also
undoubtedly see many more such products go completely anonymous.
Given that the existing P2P networks can be used, totally
legitimately, to distribute new software, there's no reason
developers need identify themselves in any way if they're not
interested in earning money from their work. In other words,
I think we'll see an escalation in the arms race between file
sharing proponents and the Content Cartel.
In the long run, I like the EFF's suggestion of a voluntary
collective licensing scheme. You can read the full details at
the page linked below, but in essence, everyone would voluntarily
pay (or have it bundled in ISP or other charges) some small fee,
say $5 per month. A non-profit, transparent collecting agency
roughly along the lines of ASCAP and BMI would then collect the
money, determine how to distribute it, and send it to the artists.
I say "roughly" modeled on ASCAP and BMI, which perform the
collection and distribution function for songs played on the radio
and in public venues, because there are plenty of criticisms
leveled against them, including the fact that it's not unheard-of
for artists whose work is played on air never to receive a dime.
But voluntary collective licensing would generate significant
revenue for artists while allowing individuals to listen to
or view whatever they wanted, all while participating in the
distribution of their favorite works via P2P networks.
<http://www.eff.org/share/collective_lic_wp.php>
More generally, I remain troubled that an act as simple and basic
as sharing is slowly but surely being turned into a bad thing.
The 1980s may have started it all with the "Me Generation," but
I think we're seeing the 21st century starting off with far too
much power in the hands of corporate behemoths driven only by
quarterly revenues. The news we read, the entertainment we enjoy,
the food we eat, the clothes we wear... for many of us, it all
comes from companies for whom we're nothing more than easily
manipulated, salary-earning lemmings. The Internet is the greatest
opportunity we've seen for diversity to flourish, whether it be
in providing alternative news from abroad, music and video from
independent artists, access to a vast collection of gourmet
foods, or just the opportunity to find unusual clothes to wear.
The Internet will never be a utopia where goodness and light are
all that one experiences, but it's our last best hope to escape a
future where our culture is spoon-fed to us by Sales & Marketing.
Culture, by definition, is shared, and we should be investigating
every imaginable possibility to help people come together around
commonalities without everything devolving to a commercial
transaction.
I may not agree with them on every point, but I think the
Electronic Frontier Foundation is doing some of the best work
in protecting our ability to create technological innovations,
and I encourage you to support them as I've done in the past
and will continue to do.
<http://secure.eff.org/saveinnovation>
Apple Releases iTunes 4.9 with Podcasting Support
-------------------------------------------------
by Andy J. Williams Affleck <[EMAIL PROTECTED]>
Apple last week released iTunes 4.9, adding extensive support
for finding, subscribing to, and managing podcasts, which are
audio files that are made available for anyone on the Internet
download and listen to (see "Podcasting: The People's Radio"
in TidBITS-766_). The new podcast support adds to iTunes
functionality that previously required the use of separate
programs such as iPodder, iPodderX, NetNewsWire, and others.
With iTunes 4.9, Apple has made the process of finding,
subscribing to, and listening to podcasts simpler than ever
before, but notable confusions and oversights remain to be
corrected in future versions of iTunes.
<http://www.apple.com/itunes/podcasts.html>
<http://db.tidbits.com/getbits.acgi?tbart=07986>
**Discovering/Subscribing/Managing Podcasts** -- Launch iTunes
4.9, and you'll see a new Podcasts item in the left-hand column
(the Source pane). This is the management interface for podcasts
to which you've subscribed. Syndicated podcasts that you can
choose to receive appear in the iTunes Music Store as a new
genre when browsing.
To view Apple's directory of podcasts, click the Podcast Directory
link at the bottom of the screen. Or, you can click the Music
Store link in the Source pane, and choose the Podcasts link
to browse. As with music in the store, a glitzy page showcases
podcasts. Select a podcast or a podcast category to see the same
familiar views used to navigate and buy music. The podcast
directory is haphazard, containing some moribund podcasts and
lacking others that are current, active, and quite popular.
Luckily, Apple provides a way on the main Podcasts page in the
store to suggest new podcasts and also a way to request the
removal of a podcast. Apple hasn't clarified how they will opt
to follow suggestions for addition or removal.
<http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewGenre?genreId=26>
<https://phobos.apple.com/WebObjects/MZFinance.woa/wa/publishPodcast>
Once you find podcasts that interest you, subscribe to them by
clicking a simple Subscribe button (which replaces the "Buy"
button found on songs). The podcast is listed on your Podcasts
page, and the most recent episode is automatically downloaded
(more on this later).
All podcasts currently in the iTunes Music Store are free, but
there is no reason to assume that this will always be the case.
Apple appears to be preparing for that day by featuring podcasts
offered by larger media outlets, including public radio, while
relegating the early initiators of the distribution format to an
Indie category that appears at the bottom of the Podcasts splash
page. (Of course, some podcasters will welcome a mechanism by
which they can offer for-fee podcasts for premium content just
the way that certain radio shows are sold via Audible, Apple,
and others now.)
You're not limited to Apple's list, of course. To subscribe to
a podcast that's not in Apple's directory, you must first find
the syndication link that includes podcasts on the site that's
offering the audio downloads. Copy the link, which often ends in
.rss or .xml. Then choose Subscribe to Podcast from the Advanced
menu in iTunes 4.9 and paste the link. Click OK, and if the link
is correct, the podcast appears in the Podcasts list via the
Source menu.
Unsubscribing to a podcast is a two-step process. First, you
select the podcast in the list and click the Unsubscribe button
in the bottom right of the iTunes window. This leaves the podcast
listed among your subscribed podcasts with a Subscribe button next
to it and retains all episodes you have already downloaded. To
remove it (and all episodes) from the list you must Control-click
on it and choose Clear from the contextual menu. If you perform
this second step first, you can unsubscribe and delete all podcast
files at once.
**Setting Podcast Preferences** -- In the iTunes 4.9 preferences,
you can set the frequency that iTunes checks for new episodes,
how many to download if there are more than one at the time
checked, and how many to retain.
Unfortunately, these preferences are global for all podcasts,
lacking the granular control provided by other programs that
specialize or include podcasts. For instance, NetNewsWire Pro 2.0
allows you to set automatic downloads (but not the number of
downloads or items retained) for each feed, as well as a global
preference.
A new setting in the iTunes preferences lets you choose which
podcasts are synchronized to your iPod (all models except the
iPod shuffle, to which you must copy podcasts manually, since
Autofill ignores podcasts, much as it ignores audio books) and,
of those subscriptions, whether so synchronize all, new, unplayed,
or checked episodes. On the iPod, podcasts are also grouped into
a single Podcasts playlist and do not appear in other playlists
unless you manually put them there in iTunes. Click Wheel iPods
display a top-level Podcasts menu item; podcasts on older iPods
appear as a Podcasts playlist.
<http://docs.info.apple.com/article.html?artnum=300558>
<http://docs.info.apple.com/article.html?artnum=301880>
**Managing Podcasts** -- In iTunes, podcasts are grouped together
into the Podcasts entry in the Source list on the left. In fact,
they are listed only there; they do not show up in the main
library, nor do they appear in any playlists. You can add them
to normal playlists manually, but you cannot use smart playlists
to manage your podcast listening, a major oversight on Apple's
part.
A blue dot next to a podcast name indicates an unheard episode.
As with other songs in iTunes, a small speaker icon next to the
name indicates that you are listening to, or were in the middle
of listening to, a show.
By opening the disclosure triangle next to each podcast in your
subscription list, you can view all episodes currently listed in
the podcast's syndication feed, which is usually the last five
episodes. Download shows that have not been retrieved already
by clicking the Get Show button.
To find older episodes, you must visit the podcast's Web site,
which takes some doing. First, you must click the right-facing
arrow after the podcast's name (assuming you haven't turned these
arrows off in your iTunes preferences.) If the podcast is not in
the iTunes Music Store (that is, you subscribed to it manually),
you will go directly to that podcast's Web site. If, however,
the podcast is in the store, you will go to its page in the
store where you will find a link to take you to its Web site.
A welcome addition is the information button (an i in a circle)
to the far right of each episode which displays the show notes
for that episode. Show notes are information - metadata, more
technically - about each episode provided by the show's creator.
Now you can see what a given show is about before you download it.
(This metadata is indexed by Spotlight, making it easier to find
archived podcasts on a system running Mac OS X 10.4 Tiger.)
As noted earlier, the TiVo-like options in iTunes preferences for
choosing whether to keep All, All Unplayed, Most Recent, or 2, 3,
4, or 10 episodes can't be set on a podcast-by-podcast basis.
Some people may want to keep only the latest versions of podcasts
rather than letting them pile up and filling their hard drive
while others may be devotees of certain shows and want to hear
every single one, no matter how far behind they may fall. I like
to keep all the episodes of serials such as The Radio Adventures
of Dr. Floyd regardless of whether they have been heard or not
(my five-year-old loves them), whereas I'd prefer to keep only
the most recent episode of news-based shows. The only workaround
is to keep everything and manually delete older episodes,
a tedious process at best.
<http://www.doctorfloyd.com/>
In another oversight, iTunes could better refine how it manages
podcast files. If I listen to an episode and want to remove the
file from my hard drive, the only option within iTunes is to
select the episode and hit the Delete key, or Control-click it
and choose Clear. That action removes the entry from the list of
episodes and, optionally, the file from my hard drive. But what
if I later want to download it again for some reason? It no longer
even appears in the list of episodes with a Get button. It's
completely gone. The only way I can find to remove a file but
leave the entry in the list is to Control-click on the entry,
choose Show Song File from the contextual menu, and then manually
move it to the Trash. Even then, the show is still listed as if
it were still there and there is no Get button even after iTunes
figures out that the file is missing.
**Listening to Podcasts** -- Listening to podcasts in iTunes
is the same as listening to any music: double-click and listen
(or select the podcast and click the play button). iTunes
remembers at which point you left off if you stop listening to
an episode, so you can easily go back to that point - regardless
of file format, which is convenient and a welcome addition to
iTunes.
But iTunes 4.9 also suffers from a major bug in that a podcast is
marked as played the instant you begin listening to it, as opposed
to when you finish listening to it, as with songs. So, if you have
iTunes set to keep only unplayed podcasts and you listen to the
first 10 seconds of a podcast and then stop to save it for later,
it will vanish the next time iTunes updates (according to the
schedule you have set in iTunes Preferences). This bug also
affects synchronization to an iPod if you base the sync on
unplayed episodes. Apple should either create a new category
called "In Progress" so you know which podcasts you are in the
middle of, or they should treat podcasts like all other music:
consider a file as played only within a few seconds of the end.
Personally, I'd like to see both: consider a podcast unheard until
the last few seconds (not the actual last second as the iPod does)
and provide a way to see which podcasts I have started but not
finished.
Apple introduced its own podcast, the New Music Tuesday Podcast,
which demonstrates a new, exciting feature: bookmarks within a
single podcast. Apple's podcast showcases a number of different
artists, and as the podcast plays, the album art display on the
lower left changes to reflect the current artist. In addition,
a new bookmarks menu appears to left of the main track display
to provide immediate access to each artist/segment in the list.
Apple also released a beta command line tool called the Podcast
Chapter Tool which helps power users build their own such menus
for their shows. To download it, click Publish a Podcast in the
Podcasts page of the iTunes Music Store, click Learn More about
Podcasting on iTunes, and scroll all the way to the bottom of
that page.
Podcasts work on all iPods, but an updater released last week
for fourth generation iPods - those with the click wheel -
provides additional podcast support, such as bookmarkability for
all podcasts regardless of format, the capability to display show
notes by clicking the center button twice, and scrolling long
podcast names in the main display. It's possible that older iPods
may pick up these new features as well in the future, much as most
of the new features of the Click Wheel iPods were rolled out to
earlier generation iPods some months after the Click Wheel models
were released.
**A Good Start, but More Work Needed** -- Apple's entry into
podcasting is the first for a major company and quite well
done for an initial effort. That said, there are a number of
significant problems that need to be addressed. I suspect many
power users will prefer to stick to their current methods of
podcast management so they can continue to take advantage of
smart playlists, better file management, and the like. But for
the majority of users, iTunes 4.9 does the job and will help
take podcasts further into the mainstream.
Support for the popularity of the feature comes from early
reports that major media sites, like KCRW, have had enormous
boosts in their podcast listenership since iTunes 4.9's release.
The L.A. Times reported that KCRW saw an increase from 3,500
to 100,000 daily - yes, daily - downloads of its programs.
Other reports noted that iTunes users signed up for a total
of one million subscriptions in the first two days.
That popularity is also revealing a few kinks in the system: at
least some subscriptions are redirected through Apple's servers
rather than downloaded directly, and some of the more popular
shows have appeared as inaccessible for some people. Hopefully,
these are just short-term glitches.
iTunes 4.9 is free, and you can get it from Software Update
or from Apple's Web site as an 11.1 MB download.
<http://www.apple.com/itunes/download/>
[Andy J. Williams Affleck is a project manager for a U.S. federal
government contractor and an expert in usable accessibility in
Web design. He's long been fascinated by any tool to allow the
individual to communicate to others, be it newsletters, email,
weblogs, podcasting, or whatever comes next.]
Take Control News/04-Jul-05
---------------------------
by Adam C. Engst <[EMAIL PROTECTED]>
"Take Control of Tiger," the latest print collection of Take
Control ebooks published in association with our friends at
Peachpit Press, is now available! If you've been holding off
on installing Tiger because you didn't want to print out hundreds
of pages of ebooks, or if you would simply prefer to read about
Tiger in a professionally designed, four-color book, you can now
purchase the 350-page collection from Amazon for only $19.79.
"Take Control of Tiger" includes the latest versions of all four
of our Tiger ebooks, and customers are entitled to any future
free updates of the included ebooks. (See "Take Control Expands
to Print" in TidBITS-747_ for more details about our print
collections.)
<http://www.amazon.com/exec/obidos/ASIN/032133017X/takecontroleb-20/ref=nosim/>
<http://www.takecontrolbooks.com/catalog.html#print_collections>
<http://db.tidbits.com/getbits.acgi?tbart=07820>
Hot Topics in TidBITS Talk/04-Jul-05
------------------------------------
by TidBITS Staff <[EMAIL PROTECTED]>
The second URL below each thread description points to the
discussion on our Web Crossing server, which will be faster.
**Multi-platform Backup Solution** -- A reader looking for
software that will back up an environment of mixed operating
systems finds that the options aren't simple. The TidBITS Talk
community rallies, suggesting alternatives. (11 messages)
<http://db.tidbits.com/getbits.acgi?tlkthrd=2641>
<http://emperor.tidbits.com/TidBITS/Talk/494/>
**Wearable GPS devices** -- Do you have a tendency to get lost
when you go running? Or maybe you just like to know how far
you've gone on each run. Either way, this thread offers
suggestions for small GPS devices. (4 messages)
<http://db.tidbits.com/getbits.acgi?tlkthrd=2642>
<http://emperor.tidbits.com/TidBITS/Talk/495/>
**Statistics software for the Mac** -- A continuation of an
earlier thread reveals more solutions for good statistical
analysis software. (38 messages)
<http://db.tidbits.com/getbits.acgi?tlkthrd=2644>
<http://emperor.tidbits.com/TidBITS/Talk/224/>
**A TV Watching Monster**-- Following Adam's article about the iTV
Link cable for connecting a computer to one's television, a reader
recommends a similar product. (2 messages)
<http://db.tidbits.com/getbits.acgi?tlkthrd=2645>
<http://emperor.tidbits.com/TidBITS/Talk/497/>
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