On Mar 19, 2010, at 4:15 PM, twgrp wrote:

> ...if linearized as late as in the wordprocessor, you'd be forced to
> continually transfer things to get an overview of where you are in the
> composing process.

Perhaps I have not made as much use of TW in composing as I could have. For me 
it has primarily been a way to move from relatively random note taking to a 
relatively clearly thought out and organized understanding of the issues and 
ideas I'm writing about. I have not attempted to use it to take me through to a 
nearly final, let alone final, exposition. 

When I get to the editing stage, I am relying heavily on my organized notes to 
keep me on-track, but I am really doing my first exposition for an outside 
audience, i.e., composing the first draft for the intended audience. And I'm 
doing it in a wordprocessor. Perhaps I could get closer to this nearly final 
stage remaining in TW than I have tried to do so far. I'll give it a try.

As it is now, when I'm ready to write, I turn to the wordprocessor.

> Also, you'll be missing out on a very powerful
> "bottom-up approach" to parallel writing that I will soon describe
> here. Basically this is "incidentally" generating books by letting
> tiddlers group over time. 

I'm intrigued. I'll be interested in hearing more. Not sure what you mean by 
"parallel writing," though.

The value of TW for me is realized in the manual work I do with it -- tagging, 
structuring tagging, revising tagging. A way I've thought of it to myself is as 
starting in a real, almost random, free writing way, and letting the structure 
emerge in the process of that. But there is a distinctly manual, though 
definitely not mechanical, dimension to it.

Regards,
------------------------------------------------------------------------------------------
Eric Weir
Decatur, GA  USA
[email protected]




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