Thanks Josiah,

I was thinking about a sculpture at Yorkshire sculpture park by Julian Opie
of a horse running

https://www.youtube.com/watch?v=I0le-E2wZ-c

Opie had the idea from seeing a small LED toy in a taxi

Alex

On 12 November 2017 at 16:47, @TiddlyTweeter <[email protected]>
wrote:

> Alex Hough, via Twitter, announced a very impressive TW "Postcard" ...
> https://alexhough.github.io/post-card-teggs-nose-joy-division.html
>
> I was very struck by how very good it is as an ART achievement.
>
> Restricting the "canvas" to just showing a "postcard" is also an excellent
> example use of TW static render.
>
> _ART & CANVAS_
>
> One of the central issues in visual art-making is "what is the canvas?"
> Another way of saying "what are the constraints?" Its pretty important. Art
> never really emerges without a "fitting" of some kind or another into
> something that is usually, at the end, highly constrained.
>
> Often its thought that good art comes from open-ended enquiry. That is
> true only to an extent. The stubborn nature of matter matters too. Tight
> constraint hones forming. Get the relevant constraints clearer and you are
> halfway there.
>
> Traditionally in painting you'd need master both the handling of brush and
> paint and paper/canvas AND the conception of the "WORK" -- often a series
> of paintings: a directed landing of brush on surfaces with boundaries.
>
> Part of the issue on the web is HOW to get to the point of enough mastery
> of its "brushes" (codings) to find free expressive flow to achieve similar.
>
> TiddlyWiki is interesting to re-think as a visual art-environment. Its
> "paint-brush rich" in that there are several types of "coding brush"
> immediately accessible.
>
> I thought what Alex did very suggestive of how artists might use TW better
> to more fruitfully explore their liminals.
>
> _"POSTCARD" CONSTRAINT _
>
> Very interesting is the obvious sense of "freedom" in Alex's image whilst
> its simultaneously bounded in a very tight minimalist framing. That is
> unusual. Usually you'd see such a blob  as an "orphan page". Not this. Its
> already complete. In that sense it IS somewhat like a physical painting in
> the way one receives it. A repletion of meaning.
>
> It illustrates that presentation and content are strongly inter-related.
> In this case the minimalism is well suited to bring fore the uumph.
>
> _MY INTEREST_
>
> I'm very interested in all this. I strongly believe that some art-centric
> work can really help TW visualise what it can do. The thing about artists
> is, in the end, they are mostly concerned with expression of content.
> Coders tend to see code itself as their "art-form" and discussion tends to
> focus on that as the "content". Visual artists tend to see technique/coding
> as a means to an expressive end ... i.e. just process steps that sub-serve.
> Of course its not so simply divided like that. But there is some truth in
> it and appreciation of ends is good too--especially when they excite you.
>
> Just thoughts
> Best wishes
> Josiah
>
>
>
>
>
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