Hey Now!
I was in bed last night watching the old box and low
and behold, VH-1 were showing Take it or Leave it, to
be followed by Madstock 4. Anyway between the 2
programmes were a number of Madness videos, the first
being one �Johnny the Horse�. This was around 2.45am.
The video opens with a flick back to yesteryear and
the traumatic birth of �Johnny� with his father (Chas)
in a panic with the Doctor (Bedders) and mother before
the joy of birth itself. This is all done in black and
white and harks back to perhaps the 1920�s or 1930�s.
Very authentic in its depiction. Next the timecapsule
shows us the growth of the young boy, from playing
football on the street to his first kiss, soon to be
scolded by the authoritarian figure of one Mike
Barson. Suggs is in �modern day� appearance throughout
and in his dashing blue suit narrates the story of the
young mans life.
Next we see the older, grown up Johnny (Chas) in Army
Service regalia as he buries a box in the ground with
all pictures and memories, before �he said goodbye to
his wife and child� before setting out on his downfall
into madness and despair.
The Chorus is next and the maddies resort to highly
successful and impressive �morphing technique� they
employed in the promo adverts for 1992�s Divine
Madness. This is class and truly compliments the
catchy-ness of the sing-along infectious chorus. We
see the lads then in the pub in libation mode,
drinking back and cheerfully singing along, before the
old and now decrepit figure of the aged Johnny is seen
walking towards us down a street. He is now a bitter
and old figure (well done make-up crew) and in a black
suit and gloves resembles a beefier version of
Finnegan in the movie �Oliver�. Busking on the street
is a tramp-like figure of Lee Thompson for the sax
break which really gives a good visual depiction of
the rough sax playing he churns out in this solo.
Again Suggs is ever present and the old Johnny dances
to Lee playing only to loose his walking sticks and
fall flat on his arse.
All band members then sing the chorus outside what
appears to be a hospital, only to throw their seven
bowler hats in the air in rejoice.
Next we see the now dying Johnny in his hospital bed
.�Taking his battered bones and broken dreams� his
life quickly flashes by in front of him, returning to
his birth, growing up, departure to his present
circumstances. A very emotional  moment here as he
�gazes into that goodnight� and passes away. Suggs
closes Johnny�s eyes in what is actually a very sad
and dark moment. This is further enhanced by the death
like appearance of Chas in his hospital bed and does
alight memories of all loved ones now no longer with
us.  In a bizarre-like way the other guys are shown
around the bed, toasting a drink to their fallen
friend and proceed with an instant wake for the now
deceased Johnny (as seen by the tag on his toe). As
they all leave the room, the highly believable figure
of the PallBearer (as excellently depicted by Mike)
measures up the corpse before slowly and
un-emotionally leaving the room. Happily Suggs returns
to take the young soul from the old body of Johnny
with him. The video ends with the body lying in state
and veers towards the tag on the toe again. Very
tasteful done and highly emotional.
Not since the video for �Cardiacarrest� have Madness
come up with such a story-like film which follows so
closely the tale of every line in the song. Yes they
may look al little older in this film however they
have matured finely with age. 
Keep your eyes out for this one folks,its a true gem
so set those VCRs!

All the Best
Vince!



=====
"If it ain't Vince, it ain't worth a F*CK!"

ICQ 46099201

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