Thanks for this Kevin, it's good stuff.
 
It's not through the foolishness of movies that sinners are converted but through the foolishness of
preaching.  God has promised to attend the preaching of the Word with the power of the Holy Spirit so....
 
"Preach the word! Be ready in season and out of season. Convince, rebuke, exhort, with all longsuffering
and teaching; For the time will (has) come when they will not endure sound doctrine, but according to
their own desires, because they have itching ears, they will heap up for themselves teachers; and they
will turn their ears away from the truth, and be turned aside to fables" (2 Timothy 4:2-4) -  judyt
 
 
 
From: Kevin Deegan <[EMAIL PROTECTED]>
A W Tozer on the possible Menace of the visual in Religious films. This was written over 40 years ago http://www.av1611.org/Passion/menace.html

Billy Graham "Every time I preach or speak about the Cross, the things I saw on the screen will be on my heart and mind."

Patrick J. Buchanan from WorldNetDaily: But Gibson's "Passion" gives us a Lenten masterpiece, a beautiful moving work of art. To cradle Catholics who can recite the lines of each episode before they are uttered, it is faithful to the Gospels, to the Stations of the Cross, to the Sorrowful Mysteries of the Rosary.

http://www.cin.org/Miravalle.html  Marian Worship -  In The Passion of the Christ, Gibson has accomplished a Marian feat no pastor or theologian could achieve in the same way. He has given the world through its most popular visual medium a portrayal of a real human mother, whose heart is inseparably united to her sons heart. This mothers heart is pierced to its very depths as she spiritually shares in the brutal immolation of her innocent son. Hers is an immaculate heart, which silently endures and offers this suffering with her son for the same heavenly purpose: to buy back the human race from sin. Mary Co-redemptrix has been given her first international film debut in a supporting role, and its a hit.

Office of Film and Broadcasting, U.S. Conference of Catholic Bishops: The Passion ... is a composite of the Passion narratives in the four Gospels embroidered with non-scriptural traditions as well as the imaginative inspiration of the filmmaker. The result is a deeply personal work of devotional art  a moving Stations of the Cross, so to speak. However, by choosing to narrow his focus almost exclusively to the Passion of Christ, Gibson has, perhaps, muted Christ's teachings, making it difficult for viewers unfamiliar with the New Testament and the era's historical milieu to contextualize the circumstances leading up to Jesus' arrest. And though, for Christians, the Passion is the central event in the history of salvation, the "how" of Christ's death is lingered on at the expense of the "why?"

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