It's a stylistic choice that's been lauded by some. And it does sort of match the roller coaster plots. And like many of the show's affectations it's gotten wilder this year with the finish line in sight. Or perhaps, it (and the token Jerry bouncing around scene, making up for the show otherwise being very "talky"
Although this year or so I've noticed seconds here and there of a frame holding an extra fraction of a second, as though they were digitally stretching to fit the designated act length. --- On Tue, 12/9/08, Jon Delfin <[EMAIL PROTECTED]> wrote: From: Jon Delfin <[EMAIL PROTECTED]> Subject: [TV orNotTV] non-spoilery Boston Legal question To: "[email protected]" <[email protected]> Date: Tuesday, December 9, 2008, 4:48 PM I've been away from the show for quite a while, but just watched last week's and the finale. For a show that's so proud of how old it skews, I don't understand what's with all the seasick-making camera moves. Not to mention the fixation on John Larroquette's hands. Can anyone supply some insight about this Dadaist imagery? Thanks. jd --~--~---------~--~----~------------~-------~--~----~ Like TV only smarter. You received this message because you are subscribed to the Google Groups "TV or Not TV" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [EMAIL PROTECTED] For more options, visit this group at http://groups.google.com/group/tvornottv?hl=en -~----------~----~----~----~------~----~------~--~---
