http://www.starnewsonline.com/article/20090104/ARTICLES/901042994/1120?Title=Actor_Pat_Hingle_dies_at_age_84
Actor Pat Hingle dies at age 84

By Amy Hotz
Staff Writer

Published: Sunday, January 4, 2009 at 11:54 a.m.
Last Modified: Sunday, January 4, 2009 at 8:08 p.m.

Actor Pat Hingle died Saturday night after a battle with blood cancer. 
He was 84.

The veteran of stage, television and film acting passed away at 10:45 
p.m. Saturday at his Carolina Beach home, according to family 
spokesperson Lynn Heritage. He suffered from myelodysplasia, with which 
he was diagnosed in November 2006. He was survived by his wife, Julia, 
two sisters, five children and 11 grandchildren.

Born Martin Patterson Hingle in Miami on July 19, 1924, Hingle had a 
long career took him around the country until he settled in the 
Wilmington area in 1986 after filming the big-screen thriller “Maximum 
Overdrive.” More recently, while living in Carolina Beach, Hingle 
continued to work in commercial productions including “Talladega Nights: 
The Ballad of Ricky Bobby,” which filmed in Charlotte, as well as local 
independent productions including “The List” and “Undoing Time.” He also 
appeared on Wilmington stages in plays such as “Tuesdays With Morrie” 
and “Our Town.”

When most people think of Hingle, any number of iconic images emerge. He 
is known as much for his role as a cantankerous judge opposite Clint 
Eastwood in “Hang ‘em High” (1968) as he is for the role as Sally 
Field’s father in “Norma Rae” (1979). Younger generations know him 
better as Commissioner Gordon from the late ’80s and early ’90s Batman 
movies.

While working in the area, Hingle enjoyed encouraging and mentoring 
young actors. This was evident in his informal conversations as well as 
philanthropic endeavors. In November 2007, he created the Pat Hingle 
Guest Artist Endowment to enable students to work with visiting 
professional actors at the University of North Carolina Wilmington.

Hingle arrived at the endowment announcement in a wheelchair and with an 
oxygen tube in his nose. Yet he took time to give a speech in honor of 
the event. He emphasized how fortunate he felt to have lived the life he 
had. He was not born into an acting family, yet somehow he’d found what 
made him happy.

“I’ve always known there was a divine hand at my shoulder,” he said.

Lou Buttino, chair of UNCW's department of film studies, is documenting 
much of how that happened in a biography commissioned by the actor about 
a year ago.

“He was a tough guy, but his love of people was genuine,” Buttino said. 
“He taught me, in many ways, what it means to be a man.”

Buttino said Hingle may have seemed gruff at times, but only because if 
he thought he was right, he would not back down. Hingle always tried to 
do the right thing. The professor will remember him as the ultimate 
storyteller, and as someone who was very at peace in accepting his death.

“He believed that his spirit would come back, especially to his family 
and to help other actors,” Buttino said.
Finding theater

When Hingle was 6 years old, his father left, leaving his mother to 
travel from job to job taking her son and daughter in tow. Although 
Hingle’s first taste of acting was as a carrot in a third-grade play, he 
did not immediately pursue the career as an adult. He entered the 
University of Texas on a tuba scholarship to major in advertising. World 
War II soon broke out, though, and within one semester Hingle joined the 
Navy, serving aboard the USS Marshall. He also served in the Naval 
reserves during the Korean War.

After World War II, he returned to college and graduated in 1949 with a 
degree in radio broadcasting. But it was during this second stint in 
college that Hingle became involved in school productions as a way to 
meet girls. And he did. While in college, he married his first wife, 
Alyce Dorsey, with whom he would have three children.

Soon, acting became his passion. And by the time he left college, he had 
35 productions under his belt. After college, Hingle and his wife moved 
to New York, where he studied at the American theater wing. His first 
performances off-Broadway were for Ilse Stanley’s theater in Long Island 
around 1950. In 1952, he became a member of the Actors Studio, which led 
to his first Broadway show, “End as a Man.”

Hingle would go on to appear in four Pulitzer Prize-winning Broadway 
shows – “Cat on a Hot Tin Roof” (1955), “JB” (1958), “Strange Interlude” 
(1963) and “That Championship Season” (1973).

It was his 1958 role in “Dark at the Top of the Stairs,” though, that 
led to a Tony Award nomination for Best Featured Actor in a Play.
A second chance

According to an Aug. 10, 1997 article in The New York Times, while 
performing in Broadway’s “JB” in 1959, Hingle was offered the title role 
in the film, “Elmer Gantry.” But six weeks after the play opened, Hingle 
had a nearly fatal accident.

Caught in an elevator in his West End Avenue apartment building that was 
stalled between the second and third floors, he tried to crawl out, lost 
his balance and fell 54 feet down the shaft. He fractured his skull, 
wrist, hip and most of his ribs on his left side, broke his left leg in 
three places and lost the little finger on his left hand.

Burt Lancaster got the job on “Elmer Gantry” and went on to win a best 
actor Oscar for the role. Hingle, however, took the twist of fate in 
stride. In the Times article he said, “I know that if I had played Elmer 
Gantry, I would have been more of a movie name. But I’m sure I would not 
have done as many plays as I’ve done. I had exactly the kind of career I 
had hoped for. And I never, never forget that I’m the recipient of the 
blessing that is life. It was given to me to try again.”

By the late ’70s, Hingle and his first wife were divorced, and while 
filming “When You Comin’ Back, Red Ryder?” in El Paso, Texas, he met and 
fell in love with a bank teller who cashed the crew’s checks.

On Oct. 25, 1979, Hingle married Julia Wright. The couple moved from 
state to state following Hingle’s film and television projects. In 1985, 
a Stephen King feature called “Maximum Overdrive” brought them to 
Wilmington and its blossoming film industry. Hingle played a truck stop 
diner manager who was one of several people held hostage by 
demon-possessed machinery.

While here, the couple stayed in a condo at Carolina Beach.

Several years later, when Hingle decided to retire, he and his wife 
considered moving to various states they had visited through his work. 
The Wilmington area’s beaches, strong theater community and temperate 
climate won out, and they built their dream home at Carolina Beach.

Once here, the actor made a huge impact on the community. Friends who 
had no family in the area were welcomed at his Christmas dinner table 
with the rest of his family. Some local film workers considered 
themselves adopted children of Hingle’s.

Michele Seidman, who considers herself one of those “surrogate kids” 
said, “Pat and Julie took in a lot of strays, including me . . . Pat was 
gruff on the outside but he was a Teddy bear on the inside.”

Terry Theodore, a UNCW theater professor who directed Hingle in two 
plays, said he loved imparting his knowledge to acting students and 
would talk to classes even more often than was asked of him.

“He was a very affectionate man, very free with advice,” Theodore said.

During an interview this November about his acceptance into the 
Wilmington Walk of Fame, Hingle spoke candidly about his sickness, his 
past and his life in Carolina Beach.

“I really do believe there was a divine hand that headed me here,” he 
said. “I am happy that I think it’s going to end here.”


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