The thing is, as much as I adore the WGA and support them in most
things, were you to remove the WGA influence (call it writing, segment
producing, or whatever), "American Idol" wouldn't change much, if at
all. Sure, Seacrest might stammer a bit when telling viewers which
phone number to call, and the judges may need a thesaurus at their
desk to look up alternative words for the word "suck." other than
that, what are they adding to the show? If the WGA wants to ban guild
members from working on the show in any capacity, the union might be
able to pull that off, but to claim writers credits seems over the
top.

Having watched more than a few reality shows with my mom, I don't feel
this way about all reality shows. As fans of the genre constantly
point out to me, there is a variety to reality TV. Shows like
"Survivor" or "America's Next Top Model" that rely on coming up with
activities, locales, gimmicks, and creating dramatic tension where
none exists have, I think, people on staff who meet or exceed the
definition of a writer. Thinking out loud, "We should have the
contestants sing Madonna songs this week" isn't writing.


On Wed, Feb 18, 2009 at 10:47 AM, Michael <[email protected]> wrote:
>
> If only this truly meant "Seacrest - out!" Not to mention Cowell out,
> Abdul out, Jackson out, etc.
>
> On Feb 18, 7:40 am, "Mark J." <[email protected]> wrote:
>> Of course, Fox viewers won't see it, but in the WGA's continuing
>> attempts to organize reality giant FremantleMedia North America, there
>> will be pickets outside of the CBS Television City studio for
>> tonight's first results show:
>>
>> http://www.thrfeed.com/2009/02/wga-to-protest-american-idol-.html
>>
>> As most of you know, Seacrest is still reading intros off of cue cards
>> which are scripted by showrunner Ken Warwick or written by someone
>> credited a "segment producer" or "creative consultant"--reality shows
>> use "story editors" to mold tape into storylines, which is something
>> the WGA says is script writing and "editorial consultants" on
>> Fremantle's "The Price is Right" write copy for prizes not received in
>> exchange for plugs and connecting copy for the Showcases.  (In decades
>> of work for Fremantle predecessor Goodson-Todman Productions, WGA
>> member Dick DeBartolo was credited everything but a "writer," which
>> was what he did for them, most notably "Match Game" questions.)
> >
>



-- 
Kevin M. (RPCV)

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