On Fri, May 8, 2009 at 2:56 PM, Mark J. <[email protected]> wrote:
> Infamously contrarian NY Press critic Armond White rips the "Star
> Trek" reboot apart (scroll past his dismissal of "Wolverine"):
> http://www.nypress.com/article-19758-where-young-boys-have-gone-before.html
> On the other hand, Ebert (sorta) agrees with him in a 2 1/2-star  review:
> http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090506/REVIEWS/905069997
>
> The LA Times' Patrick Goldstein doesn't agree totally with White, but
> does find his view that mainstream movies today are overgrown TV shows
> worth pondering:

> http://latimesblogs.latimes.com/the_big_picture/2009/05/armond-white-on-star-trek-its-tv-masquarading-as-film-.html
> For the record, rottentomatoes.com has a 95% "fresh" (favorable)  rating from 
> its critics poll for "Star Trek" and 91% for the major
> critics

I just got home from seeing it on IMAX. I can see a range of
defensible reactions, from Ebert's "fun but not much there" to "Kick
Ass!" - my own rating is closer frankly to kick ass - maybe 3.5 stars
- but White's review is utter nonsense. He comes across not so much as
a contrarian but a college sophomore writing a column for the NYU
student paper. Apparently, anyone who does not agree with him "doesn’t
respect Eisenstein and Peckinpah’s formal/spiritual innovations". Or
brother. What kind of Manichean world does White live in where
everything is either high culture or bullshit? This is the exact straw
man statement of intellectual elitism that produces the equally
dualistic and absurd world view of George W Bush. For God's sake man,
you went to a film about a television show - if you were looking for
"The Battleship Potemkin" or "The Wild Bunch" then perhaps you are the
one who had his head up his ass.

I can see a mildly disappointing review noting that JJ's re-boot is
not nearly as radical or provocative in content or style as that done
for Battlestar Galactica. But such a review should probably also at
least consider some reasons for that (one being that the original BG
sucked, and needed a radical re-visioning). Perhaps it is obvious that
I am a little sick and tired of all the chic revisionist perspective
on Star Trek and Roddenberry as being too tame, apologetic,
conformist, etc. I don't mean so much the lack of appreciation for the
historical context, but a lack of appreciation of the vision, which
was not that of a radical revolutionary, but of an old fashioned
liberal who imagined that the mechanisms of mainstream conformity
should, and could, one day work in the service of progressive and
universalist values. That is not the only vision of the future that is
possible or necessary, but it wouldn't be the worst one.

Ebert has a tendency in many of his reviews to point out plot flaws
that are actually answered in the film - I always imagine him watching
3 or 4 films a day and not really having the time to go back carefully
over his notes. For example he writes "The logic is also a little
puzzling when XXXX can XXXX people into another ship in outer space,
but they have to physically XXXX to land on a platform" - but the
explanation for this is given quite clear in the set up (there is
information available to those in the first instance that is not
available to those in the second).

Ebert does understand that this film basically functions as episode 1
in an ongoing franchise, and as such carries the burden of exposition,
character establishment (and establishment of continuity and
discontinuity). I think Abrams did all that quite well.

As a fan of the franchise I was well pleased. If you are a male of my
generation there is a good chance that the first time you cried at any
kind of drama was when Billy Dee Williams gave his speech about James
Caan - and the second time may well have been when Spock says goodbye
to Kirk in Wrath of Khan. It would be hard for me to rank any Star
Trek film ahead of either WOK, but this one is probably gives Search
for Spock, a close run for second best.

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