On Mon, May 18, 2009 at 9:11 AM, Adam Bowie <[email protected]> wrote:

> What happened to the mooted idea - I think by NBC - of doing a US
> state by state competition along similar lines? You have two
> semi-finals and then a final of 25 songs. You'd get three big three
> hour spectaculars!

My instinct is to mock the concept, but I frankly don't know enough
about the Eurovision song contest, aside from a few mentions in Python
sketches. How are winners chosen? Who decides who can participate? If
there are judges, how are they chosen, and do they do the sort of
televised verbal harrassing of singers that the Idol judges do?

If somone wanted to organize a continent-wide talent search conducted
by leading music industry professionals and artists, not for the
purposes of producing a weepy-eyed and overdramatic TV show, but for
the purposes of actually scouting talent, I'd be all for such an
endeavor.

Listening to the commentary track of the first Godfather movie,
Francis Ford Copalla noted that he always holds open auditions for
characters in every film he does. He feels it is a way for those
without connections, agents, etc. to get a foot in the door... to be
seen and reviewed by experts (such an audition process resulted in
Ford discovering/casting the inimitable Abe Vigoda).

I think the main reason I've never been impressed with the pool of
talent collected by shows like American Idol or Nashville Star is
that, having worked a few casting calls for other reality shows, I
know people are being booked to appear on a TV show. Yes, their
musical ability is an issue, but it is not the only issue, and it is
rarely the most important issue. Contestants are known by talent
scouts as "characters." It is more obvious on shows like "The Amazing
Race" where you almost always see "the old couple," "the gay couple,"
"the ethnic couple," and other easily spotable stereotypes.

I know I tend to be overly critical of reality TV, but there is a
difference between finding talent (whether a singer, dancer, actor, or
"survivor") who happens to be old/homosexual/ethnic as opposed to
casting someone BECAUSE they are old/homosexual/ethnic and they are
needed to round out the cast of characters for a television show.

If we had successful radio shows in America like they do in the UK, I
think we would be in a better position to conduct a search for musical
talent. But the consumptive and commercial nature of US television all
but prevents a TV network from funding a legitimate search for a
singer, songwriter, or performer. The best network TV can do is search
for characters.
-- 
Kevin M. (RPCV)

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