On Oct 18, 10:51 pm, "Kevin M." <[email protected]> wrote:
> First, the positive feedback:
>
> Hurray for the return of Peter DeLuise to the universe of Stargate
> (both as director of the episode, and in one of his Hitchcock inspired
> cameos... a speaking role, no less). The non-CGI visual elements were
> noticeably different, less jarring, and more in keeping with how
> Stargate has looked in the past. He also managed to draw out some
> humor, mostly visual cues and stuff I'd suspect wasn't found in the
> written script. Having listened to DeLuise in DVD commentaries, he
> tends to inject his bizarre sense of humor where other directors might
> have simply shot the page as-is.
>
> Colonel Young actually became a developed character with this episode,
> distinguishing himself from the other SG commanders. But he did so not
> by visiting his ex (which was a page straight out of Weir's failed
> relationship on Atlantis). Rather, by doing something in the
> leadership role, and proving he knew how to motivate those serving
> under him.
>
> Nice that we didn't have a music-video montage like the end of "Air."
> That sort of cheese needs to stay on the CW.
>
> Second, the constructive-criticisms:
>
> We didn't need to know the names of all the red shirts, particularly
> when the writers are foreshadowing more deaths in future episodes. I
> may be wrong, but I think I can not only predict which of the minor
> characters will die, but I see two of the central characters not long
> for the series, too. The primary reason this was bad move was that it
> further cluttered the minds of viewers. You want the leads on a series
> to be memorable, but tossing 20 people onto the screen makes them all
> sort of blend together in a mess... I'm not good with names in
> general, so it makes it tough to get drawn into a show when I have to
> keep track of so many.
>
> Onto the central characters, someone took a page from Padme Amidala
> when they fashioned Chloe. Even with the death of her father in the
> three-parter, she handled herself with strength, but in "Darkness,"
> she became a whiny, scared little brat (a la Amidala in SW: III).
> Clearly this series is written by guys... from the old school.
> Seriously, a grown woman scared of the dark? And, while I generally
> applaud gratuitous nudity (or near-nudity) of attractive women, the
> shower scenes (technically two, one before the lights went out and one
> after) were contrived.
>
> The small ship/probe/whatever that flew off of the Destiny at the end
> of "Air" wasn't referenced in this episode. Looking ahead at future
> episode descriptions, I see where they're going, but not even a "Hey,
> I thought Bob (or whomever) made it through the gate with us... huh,
> wonder what happened to him?" I'm hoping they take a cue from "Babylon
> 5" and have a well-thought story arc, as opposed to making it up on
> the fly with whichever writer is on salary. It makes me nervous.
>
> There has to come a point when we accept the fact the ship is their
> new home and we set about discovering what this strange and
> potentially exciting new universe has to offer. As stated previously,
> the ship will survive, and we know that, so we don't need to be
> inundated with storylines about whether the ship will be destroyed: It
> won't. Move on.
>
> Last but not least, don't be like JJ Abrams. Don't feel compelled to
> end every episode with a cliffhanger. Don't be that guy. Nobody likes
> that guy.
> --
> Kevin M. (RPCV)
Or do you mean as opposed to "Star Trek:Voyager", where they pretty
much made it up on the fly or had a "that bad stuff was all a dream/
time bubble" episode.
-Stan
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