OK, just so I have this straight:

A) I can set my DVR and record the show to watch at my leisure -- fast
forwarding or skipping the commercials entirely, or;

B) I can go online, watch the show at my leisure,  with commercials
(albeit limited) that you cannot FF through

Do  network execs and producers really think A is better than B?

In using the music industry as an example of what NOT to do with video/
TV, opponents of online access to network shows fall into the trap of
the same, illogical, assumption -- that a free view online equals a
lost paid view (in this case via network commercial re-broadcast)
elsewhere.

That is a red herring. I would no more go out of my way to view a show
in "repeats" that I did not deem worthy of watching first-run or
recording via DVR at that time, than I would buy a song from an artist
not normally in my play list for fear I'd be wasting my money. Trying
the artist for free might make me a new fan, who would then make the
effort to buy the product. Watching the episodes online, at my
leisure. might likewise make me a fan going forward.

The more difficult you make it for people to do something, the less
number of people will do it. Barriers to participation do not an
expanding fan-base make.

Ron Casalotti
Wayne, NJ

On Aug 5, 12:01 am, televisiongirl <[email protected]> wrote:
> On Mon, Aug 2, 2010 at 4:04 PM, Bob in Jersey <[email protected]>wrote:
>
> > Its regular-telly ratings are the more important thing, he said at
> > TCA... ABC honcho Sweeney was nowhere to be found... CW tried this,
> > and failed, with Gossip Girl:
>
> The executive producer of "Criminal Minds" doesn't have the show on
> cbs.comor any place else online except for iTunes.
>
> http://www.deadline.com/2010/01/terrifying-tv-showrunner-ed-bernero/
>
> "Personally, I believe we should all stop putting stuff online. We went the
> music route of, oh, people are going to steal it if we don’t put it on line
> for them. Well, I don’t think people can steal these TV shows as easily as
> they can a song, and pass them around. I think it was a knee-jerk reaction.
> Our example should be, whoa, if you don’t put it online, people will watch
> it over and over on reruns. They will watch it on television. That’s our
> revenue stream. A show like Glee, which I happen to love, is against my show
> – but there are so many ways to watch it, it’s never an issue. I’ve never
> had to watch it during Criminal Minds, I can sit here at my desk and watch
> it, and I don’t know why that is of value to them."
>
> TVG

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