I attended one of the 13 episodes.  Sure, part of the time we watched on
monitors, but that's not very different from other sitcoms.  For example, a
lot of Two and a Half Men is watched on monitors - which is a good thing,
because there are many scenes and the audience would have been in the
soundstage all night if some of the scenes had not been shot before the live
taping.

 

Melissa

 <http://www.youtube.com/watch?v=CtB4UDMEkpU&feature=related> Curious about
the  email address?  Listen to the most beautiful song ever sung.

 

From: [email protected] [mailto:[email protected]] On
Behalf Of Adam Bowie
Sent: Tuesday, May 03, 2011 10:31 AM
To: [email protected]
Subject: Re: [TV orNotTV] Re: Now streaming on Netflix: Sports Night

 

Having recently imported the DVD boxset of this, and watched the first half
dozen or so episodes, I found it extraordinary that anyone ever thought it
would be appropriate to have a studio audience for this "sitcom". Of course,
I realise that this was in the days before single camera comedies have
become the norm.

I must admit that I did think there was an audience, but that because the
set was basically enclosed, they were watching pretty much 100% of the time
via monitors. 

In any case, the laughs come pretty infrequently and it feels like you could
be ten minutes into an episode before you hear the first sign of a studio
audience.



Adam



On Tue, May 3, 2011 at 3:23 PM, Mark J. <[email protected]> wrote:



On May 2, 9:06 pm, M-D November <[email protected]> wrote:
> My only wish is that Shout Factory or whoever holds the rights could
somehow
> delete the laughtrack from Season 1...but alas...

The problem is that the first 13 shows were shot with a studio
audience (which technically isn't a "laugh track").  Even if you wiped
the sweetening off and isolated the audience tracks, you'd still have
the boom picking up some audience response--not as loud as with the
tracks restored and sweetening added (unless they only sweetened to
cover edits, which many multi-cam sitcom producers claim they only use
canned laughter for), unless it was one of those patented Aaron Sorkin
walk-and-talk scenes that were either shot backstage or in the
afternoon before the audience came in, but still there.


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