On Wed, Jul 18, 2012 at 4:07 PM, Kevin M. <[email protected]> wrote:
> Saw the first two hours on iTunes. At first I was ready to slam yet
another "West Wing" ripoff wherein we, the viewers, are reminded that the
rich and powerful are people too with real feelings and egos that can be
hurt. Problem is, I found myself caring about some of the characters. I
didn't check the credits, but I'm presuming a female writer, only because
comparatively speaking the male roles were stereotypical.

> http://itunes.apple.com/us/tv-season/pilot/id541755477?i=544418122

On Wed, Jul 18, 2012 at 1:14 PM, Jon Delfin <[email protected]> wrote:

> Greg Berlanti (Brothers and Sisters, Everwood). I endured the premiere to
> the point where the caricatures became characters (it took about 45 minutes
> for all of that exposition to be exposited), after which I decided I liked
> it enough to watch next week.
>

I just got around to watching the first two episodes this evening. I give
it maybe a C-. It is not just the male characters that were stilted
caricatures; the take on the Hillary-Bill-Barack triangle is simplistic and
distorted, the acting is by the numbers for the most part, and the dialogue
is leaden. I am not familiar with Berlanti, but the show is almost exactly
at the level of that mediocre legal soap Raising the Bar on TNT a few years
ago - I would have bet a little money someone from that staff is running
this show.

I will no doubt keep watching it (after all, I saw every episode of
"Commander-in-Chief"), but I am amazed that this show seems to be getting
fairly positive reviews, while Sorkin is getting hammered. The people
writing dialogue on this show can not carry the bucket that Sorkin's jock
gets washed out in, and the implausibilities in the plots make Valentine
decorations in a TV newsroom look like Cinéma vérité.This show, though set
in a more fictional universe, seems to be set in the recent parallel past,
yet I have not seen anyone criticize them for that. Again, Sorkin suffers
from the much higher expectations critics bring to his work.

I like the actor Ciaran Hinds previous work, and enjoy him the most of his
colleagues here, though it is a scene-chewing, over-the-top job. He seems
to have put LBJ into WJC's biography, and it is kind of fun to watch, at
least for a while.
* *

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