"One side note - while I think we established that most of the Letterman 
mainstays are gone, it appears Pat Farmer stuck around - we spotted him on 
stage between several segments. Was he Worldwide Pants or CBS?"

Pat (and almost everyone that worked as part of the stage crew) was/is a CBS 
employee.  Several of them made the transition to the new show in their same 
positions.  Harold Larkin is probably the next most-recognizable face you might 
also know, if he'd shown up and you're familiar enough with the old show to 
know his name.

Doug Fields
Tampa, FL


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf 
Of M-D November
Sent: Thursday, September 17, 2015 12:11 AM
To: TVorNotTV <[email protected]>
Subject: [TV orNotTV] Quickie taping report: "Late Show with Stephen Colbert"

(Typing this on my iPad, so please forgive any autocorrect idiocy)

My wife and I were able to snag tickets for yesterday's (9/15) "one-week 
anniversary" show back when the first batch of takings became available. In 
retrospect, the guest lists for tonight and Friday are a bit more desirable, 
but the Apple fanboy in me was pleased when Tim Cook was announced as the 
second guest.

Despite many attempts, I'd never been selected for Letterman tix, so this was 
my first visit to the Ed (save for one ill-fated standby attempt in 1994, and I 
never got in the doors). For the record, the Ed seats about 400, per one of the 
CBS pages working the ticket line, which tracks with the posted occupancy of 
438 inside. Tickets are made available online and are instantly printable - and 
no more trivia questions - but the ticket only gets you a spot on line.

Here was the process, for those of you who are interested in trying to get LSSC 
tix:
- request tix online
- print tix (or save QR code to phone)
- queue up outside the Ed.  We got into the city around noon and when I drove 
past the front of the theater, there were maybe 6 people waiting; after a 
leisurely lunch at McHale's Bar on 51st, we got back to the Ed at about 1:30 
and found line about 70 deep. (Actually, exactly 70 deep, as I found out in a 
moment)
- Milkshake from Steak n Shake.  Per the ticket, you can have one person in 
your party hold your spot, but everyone has to be present when ticketing starts.
- At about 2pm, the audience coordinator & pages starts checking tickets 
against the online database; assuming you pass muster, you get a handstanp 
(show logo, blue ink on Tuesday - not sure if it differs) and a dated, numbered 
ticket (we had #71-74). We were instructed to return at 3:30 and re-queue in 
numerical order.
- 3:30: a small standby line has formed. (Standbys are done by lottery.) 
Ticketed audience lines up in numerical order, goes through a cursory security 
check and is loaded into the lobby of the Ed.
- Not sure how long we stayed in the lobby, since by now we'd been told to shut 
down all phones, but I'd estimate we were loaded into the theater around 
4:15-4:30. Ticket #71 netted me 5th row orchestra in the center section - you 
can spot us in almost every audience pan.
- Audience warm up duties were handled by Paul Mucurio, a veteran of several 
Comedy Central specials and, at one time, the TDS warmup comic.  His warmup got 
somewhat hijacked by an elderly Chinese woman.
- The band is introduced and enter from behind the flying wall at center stage. 
We get a quick song. (More about Stay Human in a sec.)
- Stephen appears from behind the desk and takes questions from the audience, 
as was done at TDS and, I presume, TCR.
- After about 15 min, Stephen goes off stage to set himself for the top of the 
show, and Stay Human performs another song, which transitions into the opening 
sequence - that's why Jon Batiste is never on the bandstand when the show 
starts - he likes working the room, and usually ends up stage right when taping 
starts.
- The taping pretty much went as it aired, with a few exceptions. Graphics 
failed to animate the "none of them" call out during the "Hungry For Power 
Games" bit, so a few lines were reshot. Stephen flubbed a line at the beginning 
of the C block (Ohio legalizing pot), and since there was no clear edit point, 
they had to restart the segment from scratch. I THINK some dead air was removed 
from the Tim Cook interview, because I don't feel like it was as snappy live as 
it was on air. Finally, a whole comedy bit ("Planet of the Apps") was taped as 
the F block, but never made it to air.
- Setup for the musical guest (Run the Jewels w/ TV on the Radio) took FOREVER. 
JB&SH played another song ("Sunny Side of the Street" - this is the slow-clap 
you can see during the station break bump), and Colbert came back out to take 
some more questions to fill time.
- At the end of the show, the band (who were not on the bandstand during the 
musical guest performance) migrated to the front of the stage to perform the 
end credit song (which I think is called "Humanism") - Stephen comes down 
center and sings the chorus with Jon & the band, and the band essentially 
second-lines out through the audience into the lobby.  End of taping.
- ...but not the end of the show, because the band is STILL playing out in the 
lobby; I'd say they played for a good 5-10 minutes after the taping ended. (I 
have a brief cellphone video of the tail end of the lobby performance, which 
l'll eventually link to.) We were out of the theater by about 6:45.

About the band - yes, Jon Batiste & Stay Human isn't your typical late night 
band. Because of how the segments are edited, the home audience gets a very 
small sliver of what the band is doing in the studio - and they're playing 
their asses off. It's a softer sound than Paul Shaffer's CBS Orchestra, sure, 
but Stay Human have amazing range - they ran through a variety of song styles 
and tempos and kept the audience engaged throughout. Batiste likes to work the 
room, since the Harmoniboard gives him the freedom to roam, and he'll do a full 
lap of the orchestra and end up in the balcony by the end of the break, but 
don't be fooled - he's an amazing keyboardist and showed it on a number of 
occasions. 

One side note - while I think we established that most of the Letterman 
mainstays are gone, it appears Pat Farmer stuck around - we spotted him on 
stage between several segments. Was he Worldwide Pants or CBS?


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