Sean Spicer wanted to ‘poke a little fun at myself’ at the Emmys. But what was 
the joke?
http://wapo.st/2x9ZsQU


Sean Spicer says he ‘absolutely’ regrets crowd-size briefing
http://wapo.st/2yah5wz

⁣Not sent from an iPhone.​

On Sep 18, 2017, 3:32 PM, at 3:32 PM, Steve Timko <[email protected]> wrote:
>I call foul mixing news and entertainment. Spicer was a nice comic
>surprise for an entertainment show
>I saw the beginning and caught a couple of clips on the app. Kudos to
>Alec Baldwin for keeping it short and relatively apolitical. Colbert's
>opening bit was good but predictable. I will watch the Thanksgiving
>episode of Master of None again. It wasn't in my top three for the
>season.
>⁣Not sent from an iPhone.​
>
>On Sep 18, 2017, 1:10 PM, at 1:10 PM, "Kevin M."
><[email protected]> wrote:
>>On Mon, Sep 18, 2017 at 11:00 AM PGage <[email protected]> wrote:
>>
>>> I am not sure how much of an olive branch it was - the short but
>>mildly
>>> made fun of him, and Colbert later followed with a barbed negative
>>quip.
>>> Also, probably can't really put "Hollywood " or network tv in role
>of
>>> opposition to the GOP (Though I think all right-minded folks will
>>claim
>>> opposition to Trumpism).
>>>
>>> But yeah - normalizing people like Spicer, and giving him a chance
>to
>>> lamely rehab himself through self-deprecating humor, kind of sucks.
>>Just
>>> doesn't break the top 20 things about the national scene that sucks
>>for me
>>> in the apocalypse...
>>>
>>
>>It doesn't affect me since I wasn't gonna watch regardless, but it is
>>the
>>normalizing (to borrow your word) of the mediocre, normalizing of the
>>stupid, normalizing of the insane that led us to this apocalypse.
>First
>>Amendment says we don't censor free speech; it does not say we give
>>airtime
>>to people or ideas that we know are injurious to America. Spicer on
>the
>>Emmys is only a small (but high profile) example. Everyday the media
>>reports the volume of huge lies emminating from this administration,
>>but
>>that same media can't wait to hand anybody from the White House a
>>microphone. When somebody lies to me repeatedly and insults me
>>repeatedly
>>and even threatens me repeatedly, I don't keep welcoming them into my
>>house
>>with open arms.
>>
>>Hopping off my soapbox now... for now.
>>
>>
>>
>>> On Mon, Sep 18, 2017 at 10:32 AM Kevin M. <[email protected]>
>>> wrote:
>>>
>>>> On Mon, Sep 18, 2017 at 9:54 AM M-D November <[email protected]>
>>>> wrote:
>>>>
>>>>> The "hype man" (not an entirely inaccurate description, based on
>>how he
>>>>> filled the role) was Jermaine Fowler, of the CBS series "Superior
>>Donuts".
>>>>> He was there filling the role of "obligatory representative from a
>>>>> non-nominated network show mucking about in the backstage area",
>as
>>well as
>>>>> serving as the official VO person for the evening.  I feel like
>>this has
>>>>> been done better in past years (I want to say CBS used NCIS's
>>Pauley
>>>>> Perrette in this role in a previous Emmycast); personally, I would
>>have
>>>>> preferred the use of a humorist/stand-up in this role, similar to
>>how John
>>>>> Hodgman did it for several years. I have no issue with adding
>>>>> humor/personality to the off-camera VO, but the person taking the
>>gig needs
>>>>> to be able to read the room.
>>>>>
>>>>> The show overall (aside from Fowler's VO) was actually fine - no
>>major
>>>>> technical gaffes, Colbert's pre-tapes didn't linger so long as to
>>be
>>>>> annoying, things moved at a brisk pace (and actually finished on
>>time!),
>>>>> and for once the set design was actually really, really good.
>>>>>
>>>>> One thing that bothered me - was Rickey Minor not able to get a
>>copy of
>>>>> the sheet music to ANY version of the SNL theme from the past 40
>>years?  I
>>>>> know orchestrations can vary  (e.g. LWT's theme), but what the
>band
>>used
>>>>> last night was unrecognizable as the SNL theme.
>>>>>
>>>>> Also, for those of you who watched live - did you catch those Audi
>>>>> commercials?
>>>>>
>>>>>
>>>>> On Monday, September 18, 2017 at 9:39:49 AM UTC-4, PGage wrote:
>>>>>>
>>>>>> The LAT Review: Emmys bear the Colbert stamp: Genial, pointed,
>>>>>> exuberant and a little outrageous
>>>>>>
>>>>>>
>>http://www.latimes.com/entertainment/tv/la-et-st-emmy-awards-colbert-20170918-story.html
>>>>>>
>>>>>> I thought Colbert did a good job - just enough Trump references
>>without
>>>>>> overdoing it, some gentle poking of the self-congratulatory
>nature
>>of the
>>>>>> event, and then a lot of self-congratulation. My FB feed is full
>>of my
>>>>>> liberal friends pissed about Spicer (conservative friends are
>>saying they
>>>>>> stopped watching Hollywood award shows a long time ago, which
>>probably for
>>>>>> once does put them in the mainstream).
>>>>>>
>>>>>
>>>> I am mostly progressive but stopped watching award shows long ago,
>>but
>>>> the notion of inviting Spicer on the Emmys is morally repugnant to
>>me, and
>>>> behavior like that is what got Trump elected in the first place. It
>>isn't
>>>> that the GOP is good at what they do; it is because their
>opposition
>>is so
>>>> incredibly bad.
>>>>
>>>> I get the show's justification for doing what it did... nobody can
>>cry
>>>> "liberal media" if they bring on a turd like Spicer. But it is
>>incongruous
>>>> to bring on someone with no ties to the event. Hell, I could partly
>>make
>>>> peace with them bringing on Tom Selleck or Scott Baio or Kirk
>>Cameron, who
>>>> at least have a connection to the industry, but Spicer? No. This
>was
>>>> extending an olive branch to an individual that at best is only an
>>>> accessory to treason.
>>>>
>>>>
>>>>>> In terms of the production, I kept thinking - yes, we get it,
>>there are
>>>>>> black people at the Emmys. But do we really need a Hype Man as
>the
>>>>>> Announcer? A couple of times he almost ran into the actual
>>acceptance
>>>>>> speech. They had the most aggressive play-off music we have ever
>>seen - a
>>>>>> couple of times ruining emotional and effective moments, which
>>always seems
>>>>>> so self-defeating for a show like this. I would like to see them
>>come up
>>>>>> with some kind of elastic filler material that they can use if
>>speeches go
>>>>>> short and easily cut if speeches go long, and then relax about
>the
>>time
>>>>>> limit a little - or at least give the producer some flexibility
>in
>>a couple
>>>>>> of cases.
>>>>>>
>>>>>> The awards themselves seemed somewhat more relevant than the
>Emmys
>>have
>>>>>> been over the last few years. I don't agree that we are in the
>>Golden Age
>>>>>> of television, but there is, finally, so much good television
>that
>>it is
>>>>>> hard to keep up with all of it. There were a couple of shows I
>>have heard
>>>>>> of but not yet watched that got bumped up on my radar (my
>>daughters keep
>>>>>> bugging me to watch that Pretty LIttle Liars show, I guess I
>>will).
>>>>>>
>>>>>> There was a thread on this list recently about Masters of None,
>>and
>>>>>> whether the second season was better or worse than the first. I
>>was pleased
>>>>>> that they singled out the Thanksgiving episode for writing (and
>>that Ansari
>>>>>> allowed his co-writer to do the speech - though he may have been
>>going in
>>>>>> for a final word only to be cut off by the band, it was hard to
>>tell). That
>>>>>> Thanksgiving episode was one of the best things I have ever seen
>>on
>>>>>> "television" (broadly defined), and an excellent illustration of
>>what real
>>>>>> diversity can lead to.
>>>>>>
>>>>>> If Veep wasn't legitimately so freaking funny I would be salty
>>about
>>>>>> JLD winning yet again, but it does underline again Aaron
>Barhart's
>>old idea
>>>>>> about having shows and people only eligible for Emmy's until they
>>win once
>>>>>> (or may a couple of times). I hated it at first (Godfather II won
>>an Oscar
>>>>>> also), but some years ago I came around to his thinking - it is
>>not really
>>>>>> fair to keep rewarding someone for the same work over and over -
>>all the
>>>>>> more so with so much good work available.
>>>>>> --
>>>>>> Sent from Gmail Mobile
>>>>>>
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>>>> --
>>>> Kevin M. (RPCV)
>>>>
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>>Kevin M. (RPCV)
>>
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