Vulture did a long take asking how funny comedy has to be. Much of the
discussion is around Hannah Gadsby.
LINK
<http://www.vulture.com/2018/09/post-comedy-how-funny-does-comedy-need-to-be.html>

On Fri, Aug 31, 2018 at 11:07 PM Steve Timko <steveti...@gmail.com> wrote:

> There’s been no discussion of Hannah Gadsby’s “Nanette” so I thought I’d
> get it started.
> This is a Netflix show billed as standup comedy and Gadsby recounts her
> life as a lesbian in Tasmania, Australia. It includes the standard stories
> of being marginalized as well as horrific accounts of being beaten and
> raped. I follow many comedians and comedy performers on Twitter and my feed
> was buzzing with praise for the show a few months ago. It was perfectly
> timed for the #MeToo movement. It has won several awards, including a best
> standup show award from the comedy festival in Montreal.
> Vox described it thusly:
> “Nanette is nominally a standup special, but it is so meta and so
> thoughtful about the issues inherent to standup comedy as a genre that it
> seems to break through those boundaries: It is funny, and it is
> uncomfortable, and it is immensely moving. And since its premiere on
> Netflix in June, it has become wildly critically acclaimed.”
> My feelings are more ambivalent. While Gadsby is a skilled comedian, my
> biggest problem is calling it a standup special. For me, there’s an
> especially poignant moment when Gadsby reveals an unexpected twist about
> her mother. But too much of the rest is anger and rage. There’s no comedy
> at the core. Richard Pryor dealt with social issues; Sam Kinison raged with
> the best of them. But it was built around comedy. I think if I went in
> expecting a one-person show, I would have liked it better. A bigger problem
> that I’ve had is that she performed this show dozens of times before she
> recorded the Netflix special and apparently now more than a hundred times
> altogether. When she summons the rage and anger like she does in “Nanette,”
> it’s no longer an honest, soul-revealing moment for me if she’s done it so
> much. It’s artful manipulation. I’m sure Pryor told his childhood stories
> thousands of times, but the fact it was built around comedy kept it
> believable.
> Michael Che of “Saturday Night Live” fame criticized the show on his
> Instagram account and other places. Che has since deleted all of his
> Instagram posts. He was used by a couple of conservative publications to
> attack the show.
> This is some of what Che wrote:
> “ya know some critics say rape jokes arent funny. but you know whats
> DEFINITELY not funny? rape stories. just flat out, fully detailed rape
> stories. I dunno about you, but that hasnt made me laugh once.”
> Che also wrote:
> “I dont wanna have to ‘survive’ a comedy special. I wanna laugh. lets not
> make this what its not.”
> Another quibble is that Gadsby targets white males for the oppression of
> LGBT and for the violence against her. Clearly white males are a strong
> influence in the world’s culture. But I wonder how her perspective might
> have changed if she didn’t live in a country that is 90 percent white.
> Tasmania, being situated south of the populated cities, may be even whiter.
> A few years ago I visited Los Angeles and a group of us were going to
> dinner. I suggested Chinese or Thai places. A black lesbian absolutely
> vetoed that. As a teen her family was forced by poverty to live near
> Koreatown. The East Asian population did not wants blacks moving in. She
> was harassed and sometimes beaten when she walked to the near grocery
> store, which was in an Asian neighborhood. Even the store owners were rude
> to her. Her mother tried to talk to the parents of the teens doing the
> attacks. They weren’t sympathetic. She at first attributed it to a language
> barrier, but finally her children explained that the whole community didn’t
> want them there and that the adults would look the other way. The woman
> suffered discrimination and brutality both because she was black and
> because she was a lesbian but not at the hands of white males.
> I agree with much of what Che is saying. And I think Netflix should list
> it as a one-person show and not a standup special.
>
>

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