I didn't know Carano's Reno ties, but recognized her from her days as a mixed 
martial arts fighter.  She fought in the days before the UFC had a female 
division.  While I can't disagree with Steve on her acting in "Haywire," I felt 
she did extremely well with the action.
There are many other, better-known actors featured in The Mandalorian (Werner 
Herzog's voice is all over some of the promos, Giancarlo Esposito mentioned he 
was in it while on Conan, and I've seen glimpses of Carl Weathers and Ming-Na 
Wen). Maybe Favreau had to spend some money on casting that could have gone to 
the effects?
David

    On Wednesday, January 29, 2020, 8:49:01 PM EST, Steve Timko 
<[email protected]> wrote:  
 
 Verizon gives me bonuses when I pay my smartphone bill on time. Two months ago 
Verizon gave me a $3 Starbucks discount coupon. I logged in again on Sunday, 
hoping to snag another one. Instead, I found out I have a free one-year 
subscription to Disney+. That’ll show me for not allowing Verizon to send me 
any promotional emails.
I promptly download the Disney+ app and perused the show selection. The movies 
are impressive. There’s movies I still haven’t seen, including “Frozen” and the 
original “Lion King.” The series selections are less impressive. Jeff Goldblum 
is interesting so I suspect his documentary series will be interesting (the 
first one I’ve watched, on basketball shoes, was good, not great).
But I decided to take the plunge on “The Mandalorian.” The first episode is 
fantastic. It’s the best “Star Wars” product since “The Empire Strikes Back.” 
Writing credit goes to Jon Favreau. He’s a talented guy, but I’m guessing there 
were a lot of fingers in this writing pot. Past “Star Wars” movies have hinted 
at being the new western movies. “The Mandalorian” jumps right in. There’s 
little doubt about it. When the Mandalorian creeps up to look over a ridge, 
it’s a scene from any number of John Ford or John Wayne movies. The Manalorian 
speaks with a Clint Eastwood growl. A scene in the penultimate show is straight 
out of “Butch Cassidy And the Sundance Kid.” Not all are allusions to westerns. 
Another scene is a throwback to “Return of the Jedi” with essentially the same 
payoff.
I was happy to see Gina Carano in the film. She is part of the Carano family 
that owns casinos in Reno (and elsewhere now), although her time in Reno was 
limited. She’s more a product of Las Vegas and Texas. She had the starring role 
in Steven Soderburgh’s “Haywire” in 2011 and she was not up to the task. Carano 
was quite wooden. Among her other films were “Deadpool,” which wasn’t much of 
an acting challenge. She’s grown and shows much greater range of emotion in 
“The Mandalorian.”
The special effects are generally first rate, although there were a few places 
where they seemed to be cutting corners. When “Howard The Duck” came out, 
George Lucas talked about the importance of getting the eyes right in non-human 
characters. He didn’t do it with the duck, but Baby Yoda is well done. I wonder 
how many millions of dollars of profits they lost by not having a Baby Yoda 
doll for sale at Christmas.
I liked the humor as well. The discussion of bored Imperial Troopers was a 
great touch. And the droids/robots were often good for laughs.
IMDB lists a second season coming some time in 2020. I look forward to it.


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