Just saw the finale, and I found it very moving. They dealt with the death 
thing without a flinch. And the closing titles revealed a new dimension 
that just added to its richness.

And even though I know it was done with computers, the single-take final 
number - done on a multi-room set, and lasting maybe nine minutes - was a 
real bravura piece of work. Somebody deserves an Emmy for that.

I had reservations too, and not just because of the sweetness. I felt the 
Lauren Graham character was written very inconsistently, veering from 
villain to bestie. And I strongly disliked the "Zoey jumps on a conference 
table and sings Billy Joel" episode because it fiddled with the concept too 
much and humiliated a main character who I didn' t want to see hurt. 

But I am very, very glad I made the journey.


On Monday, April 27, 2020 at 10:48:06 PM UTC-4, PGage wrote:
>
> My shameful secret of this TV season is that two of the only three new 
> broadcast shows I have watched (and the only two I watched or will watch to 
> completion) were musicals (Perfect Harmony and Zoey). There are so many 
> reasons to hate (or at least be aggressively indifferent towards) these 
> shows, and yet both shows hooked me. In the case of Zoey, what got me was 
> not the music or the cloying sweetness, but the show’s early commitment to 
> deal with death in a head on manner, and as a (the) core through line of 
> the season. We are not at the end yet, and I will have to take any positive 
> thing I have to say about the show back if the finale brings us a 
> miraculous cure, but I doubt that it will. The show would be ten times 
> better with less sugar, but I kind of get why a network would want that 
> frosting to cover such a bitter cake. Oh, and also, Jane Levy. But mostly 
> the death thing.
>
> On Tue, Jan 14, 2020 at 10:20 AM M-D November <[email protected] 
> <javascript:>> wrote:
>
>> I have to remain neutral on this, as the creator/writer is a friend of 
>> mine from our theater camp days.
>>
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