According to this article in The New Yorker, the movie was a racist modern
minstrel show, with the “white” soul being dropped into the body of a black
man.

https://www.newyorker.com/culture/cultural-comment/pixars-troubled-soul/amp

My own beliefs about the film’s shortcomings notwithstanding, I don’t think
the folks at The New Yorker are correct. I think they are way off the mark.
But what do I know?

On Sat, Jan 2, 2021 at 10:41 AM Kevin M. <[email protected]> wrote:

> If you like the intro/outro styling of Batiste on Colbert, meaning you
> just want a few seconds of good piano riffing, then sure pick up the
> soundtrack. I just felt that if the Pixar movie Cars didn’t feature cars
> racing, someone would point out that it was a missed opportunity. So in
> Soul, a movie centered on a jazz musician, it feels lacking that we really
> don’t hear a jazz song. It wasn’t a bad movie (and I feel as if actresses
> whose agents send them out to audition for female jazz artists get
> depressed knowing it will inevitably go to Angela Bassett because she nails
> it each and every damn time), but it feels like it as either written or
> produced by someone who doesn’t actually like jazz.
>
> On Sat, Jan 2, 2021 at 12:30 AM Jim Ellwanger <[email protected]>
> wrote:
>
>> In addition to the jazz music by Jon Batiste, which is the score that's
>> heard during the portions of "Soul" that take place on Earth, there is also
>> music by Trent Reznor and Atticus Ross, which is the score heard during the
>> portions that take place in the "before-life."
>>
>> It is true that there's no real point where the action stops for a full
>> song (so, nothing along the lines of the weepy montage scene set to "When
>> She Loved Me" in "Toy Story 2").
>>
>> You can look at the track listing for the soundtrack album and see the
>> lengths of the various compositions:
>> https://en.wikipedia.org/wiki/Soul_(soundtrack)
>>
>>
>>
>>
>> On Jan 1, 2021, at 11:39 PM, PGage <[email protected]> wrote:
>>
>> So, I guess this raises the question of how many songs a film has to have
>> to qualify as a musical; or is it some other criteria, like how integrated
>> the songs are into the story telling of the film? Certainly many Pixar
>> films have memorable original songs and scores. I have not seen Soul, but I
>> think Kevin p’s comment holds even if not technically a musical, that it
>> was an opportunity for a couple of fully developed jazz compositions or
>> songs and a full jazz score at least as memorable as Toy Story or maybe
>> Brave.
>>
>> On Fri, 1 Jan 2021 at 10:04 PM M-D November <[email protected]> wrote:
>>
>>> Not a single Pixar film to date has been a musical (those generally come
>>> from Walt Disney Animation Studios, although it’s really two sides of the
>>> same coin now). But there were some original jazz compositions and
>>> orchestrations by John Batiste.
>>>
>>> An argument could also be made that, save for the Cars franchise, most
>>> of Pixar’s output over the last decade+ haven’t really been “children’s
>>> movies”. (In the same sense that the original Looney Tunes shorts weren’t
>>> “for children”.)
>>>
>>> On Friday, January 1, 2021 at 12:44:58 PM UTC-5 Kevin M. (RPCV) wrote:
>>>
>>>> Disney/Pixar has a propensity for including a death in the first act of
>>>> their children’s movies that borders on the macabre. Also ironic that a
>>>> movie centered in the world of jazz is NOT a musical. But otherwise a good
>>>> flick.
>>>>
>>>> On the Disney+
>>>> --
>>>> Kevin M. (RPCV)
>>>>
>>>
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> Kevin M. (RPCV)
>
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