Because I read these kinds of sites, here's a piece that details the 120
cameras CBS will be using for the Super bowl:
https://www.newsshooter.com/2021/01/31/cbs-will-use-120-cameras-to-cover-super-bowl-lv/

The piece notes that CBS will be using two Sony VENICE cameras to capture
endzone celebrations, and includes an embedded Tweet from the SEA/WAS game
to give an example of the footage. It was these cameras that CBS has been
using that I referred to in this thread originally. Fox has been doing
something similar using a Sony A7IV camera, which is actually a
consumer-grade camera for their coverage. Certainly a light package to run
onto the field with though.

Lots of 4K cameras in use, but not 4K feed this year.


Adam

On Mon, Jan 11, 2021 at 8:16 PM Steve Timko <[email protected]> wrote:

> I will bet a week's pay it's a stylistic choice. There is super fast
> autofocus now. The camera operator frames the picture, I bet, and someone
> in the booth controls the lens focus. And the rest of the background is
> bokeh. They want a different look.
>
> On Mon, Jan 11, 2021, 4:32 AM Adam Bowie <[email protected]> wrote:
>
>> You can see an example at this point in the YouTube highlights of the
>> game: https://youtu.be/S1TsLvj2tG8?t=506
>>
>> That said, it's one of the better examples. Most of the rest of that
>> video are from the fixed cameras, and it was only the mobile cameras that
>> seemed to use it.
>>
>>
>>
>>
>> On Mon, Jan 11, 2021 at 12:25 PM Doug Eastick <[email protected]> wrote:
>>
>>> Hmm. Wish I had noticed.
>>> But perhaps it was because I was listening to the games on SiriusXM all
>>> weekend.
>>>
>>> Maybe I'll Rewind the TiVo from the weekend and check. I'm curious now.
>>>
>>>
>>>
>>>
>>> On Sun., Jan. 10, 2021, 6:18 p.m. Adam Bowie, <[email protected]>
>>> wrote:
>>>
>>>> I've been watching some of the NFL Wildcard games this weekend, and I
>>>> can't help but notice that in the Bears/Saints game, CBS seems to be using
>>>> lots of "shallow depth of field" cameras with their mobile sideline
>>>> cameras.
>>>>
>>>> It's unusual because 99% of sports coverage uses quite narrow apertures
>>>> in cameras. In other words, nearly everything is in focus no matter how
>>>> near or far it is from the camera.
>>>>
>>>> CBS seems to be shooting "wide open" which results in what should
>>>> theoretically be quite cinematic shots, because it's what many movies and
>>>> TV dramas use. The subject of the shot is in focus, while the background is
>>>> blurred - "bokeh" in photographic parlance.
>>>>
>>>> The problem is that the zone of focus when you shoot wide open is
>>>> really tight, and if you've got a camera operator moving, plus the players
>>>> they're focusing on moving at the same time, even with high end TV cameras'
>>>> autofocus, it's incredibly hard to keep the image sharp.
>>>>
>>>> CBS seems to have had this problem quite a lot, and it's really obvious
>>>> on big HD (or better) screens. Dramas, of course, have the benefit of shots
>>>> being planned in advance, with actors required to hit their marks.
>>>>
>>>> Maybe CBS has been doing it before today, and I hadn't noticed. They
>>>> may be trying something out ahead of their Super Bowl coverage. But it has
>>>> been really obvious in today's CBS game, and while the shots in theory look
>>>> gorgeous, in practice, they're just out of focus.
>>>>
>>>>
>>>> Adam
>>>>
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