I’ve been traveling backward through the archive of Conan O’Brien Needs A 
Friend, and I just listened to the Kristen Chenoweth episode. In it she 
mentions she’s Zooming in from a hotel in Vancouver, where her next-door 
neighbor is Alan Cumming. Those are recognizable Broadway names. Also in the 
cast is the woman who originally played The Bullet in “Hamilton,” although I 
admittedly cannot tell you her name without looking it up.

> On Sep 3, 2021, at 12:17 PM, M-D November <[email protected]> wrote:
> 
> Kevin - I respect your opinion but humbly disagree. As a fan of musicals 
> (and meta commentary) I thought Schmigadoon! worked really well, although it 
> could have used another episode or two, as the resolution to the B-plots felt 
> really rushed.  There were lots of little details outside of the song 
> pastiches that, as a theater nerd, I really appreciated - like the fact that 
> songs were always performed (more or less) to camera, as if they were being 
> performed on stage, and that the exterior sets in the 'town square' were very 
> obviously flat fronts, as you'd expect from a stage set, and you only got 
> detail when you entered a space. 
> 
> Certain talents were criminally underused (Martin Short, Jane Krakowski), 
> while others I could have done with a recasting (Cecily Strong, who I think 
> got the role because Lorne was the EP). For once Fred Armisen didn't make me 
> want to put my fist through the TV.
> 
> Strangely enough, I think I saw that Schmigadoon! was shot in Vancouver, 
> which would explain why, beyond the leads, there weren't more recognizable 
> Broadway names.
>> On Thursday, September 2, 2021 at 11:07:57 PM UTC-4 Kevin M. (RPCV) wrote:
>> The two leads are almost unwatchable, but the series is somehow fun to watch 
>> anyway? The premise is basically a retread of Pleasantville set to music. I 
>> can’t help but feel the show was conceived to provide paychecks to out of 
>> work Broadway actors. 
>> 
>> On Apple TV + (or whatever it is called)
>> -- 
>> Kevin M. (RPCV)
> 
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