I guess what could be considered a new era of The Daily Show has begun: the 
studio's moved from the Terra Incognita of the west side to Times Square, 
there's (obviously) a brand new (poorly-lit) set, and they're processing 
the video to look like film (a move I hate on pretty much any show).

Unfortunately, nothing else has changed. The first 15-20 minutes are Noah 
doing crappy dialects and worse impressions, they're doing that stupid 
thing of insert shots from the side while he talks into another camera, and 
he's still not a very good interviewer (which makes him a part of the 
continuum of current hosts). 

The oddest segments so far: a segment with Roy Wood, Jr., but seated across 
from each other at a table like they were hanging at a coffee shop, and 
Tuesday's panel with Gabrielle Union, which boiled down to "Wasn't the Met 
Gala awesome?" "Not as awesome as you!" "No, -you're- awesome!"

--Dave Sikula

On Monday, September 13, 2021 at 2:42:38 AM UTC-7 Dave Sikula wrote:

> I think I've expressed how much I think Noah has driven TDS into a ditch. 
> Hopefully, things will improve once he's back in the studio this week, but 
> I'm sick to death of his terrible dialects, the pretty awful writing, and 
> probably the weakest lineup of correspondents in the show's history.
>
> On Sunday, September 12, 2021 at 4:51:04 PM UTC-7 Kevin M. (RPCV) wrote:
>
>> I have heard Noah do stand up and guest on panel shows… I like him much 
>> more in those capacities than I do as a host 
>>
>> On Sun, Sep 12, 2021 at 4:43 PM Jon Delfin <[email protected]> wrote:
>>
>>> by Dominic Maxwell, who recently gave much less enthusiastic reviews to 
>>> Russell Brand, Olga Koch, and Simon Amstell
>>>
>>>
>>> How good is Trevor Noah? I’ll tell you. After well over an hour of 
>>> queueing to get into this Greenwich enormodome via airport-style security 
>>> checks, I texted a friend to say that if this didn’t turn out to be the 
>>> greatest stand-up show of the year I’d have wasted my evening. Ninety 
>>> minutes later I texted again. “Evening not wasted. Face sore from laughing.”
>>>
>>> Noah, the 37-year-old South African host of American satire programme 
>>> The Daily Show, will take this tour to the US next. Yet while his material 
>>> about masks and Zoom and sci-fi film tropes will play anywhere, he here 
>>> added in UK-only material (the Euros final! Scousers! Punting in 
>>> Cambridge!) that showed off his prodigious gift for accents and for seeing 
>>> the big picture while making small details deliciously vivid. And somehow 
>>> he kept dancing between the daffy and the dark, the trivial and the epochal.
>>>
>>> The son of a Xhosa mother and Swiss-German father, Noah can cut through 
>>> racial and national stereotypes and preconceptions with accuracy and vim. 
>>> He was ironic yet acidic, cordial yet acute as he argued that Britain gets 
>>> more stick for colonialism than other European nations simply because it 
>>> lacks the sort of interesting cuisine that might compensate for its sins. 
>>> He suggested that the US was built on a spite towards the English that has 
>>> curdled into a spite towards other Americans.
>>>
>>> Written down, some of his topics could be considered hackneyed: the 
>>> French are haughty; white people love swimming but can’t dance. Yet every 
>>> time, he found something of his own to add. “Black people are dancing to 
>>> the beat,” he said. “White people are dancing to the lyrics.” And he always 
>>> made it look casual as he padded around the stage in combat trousers and a 
>>> hooded top, delighting a diverse audience of 20,000. He is a virtuoso, an 
>>> artist who conceals the art. He’s the new gold standard of stand-up.
>>>
>>> -- 
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>>>  
>>> <https://groups.google.com/d/msgid/tvornottv/CABCcf4dYOrmU5WMdWxJmSPuZR%3DT76AhUTzYP2GFD2H-JohDQLw%40mail.gmail.com?utm_medium=email&utm_source=footer>
>>> .
>>>
>> -- 
>> Kevin M. (RPCV)
>>
>

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