Most in other industry unions like SAG/AFTRA have stated publicly they will
not work, in solidarity with their IATSE friends.

I have come to enjoy Hollywood strikes; it tends to bring a degree of
humility to all involved, and it reminds us that the entire industry is
expendable. In this specific instance, I do side with the union, as their
demands are quite reasonable. Ultimately I suspect they will settle for a
lab increased pay rate for streaming productions closer to (but still not
equal to) broadcast/cable/major studio productions, and the industry will
offer a vague “pledge to try” to limit work days to eight hours, but that
the hours won’t change for the most part.


On Wed, Oct 13, 2021 at 8:41 AM Mark Jeffries <[email protected]> wrote:

> The walkout would essentially shut down film and television production in
> North America--the union representing thousands of below-the-line employees
> claims that the Association of Motion Picture and Television Producers is
> dragging its feet on new contracts:
>
>
> https://www.hollywoodreporter.com/business/business-news/iatse-strike-date-set-1235028690/
>
> As I understand it, New York is a separate contract and theoretically
> would not be included (although there could be sympathy strikes).
> Commercials, low budget indie films and premium channels contracts are also
> not affected.  A lot of reality shows are non-union and would continue
> production.  If my statement is correct, there could still be news shows
> and new Fallon, Colbert, Meyers, "View" and "TDS" on Monday.  There could
> also be an attempt to bring scabs in on Kimmel, Corden and "The Talk," but
> the other unions have pretty much indicated that they are going to honor
> the picket lines.
>
> And the IA has been frisky in theatrical jurisdictions lately--a
> threatened strike at the Kennedy Center in Washington was averted last week
> and there was a half-day strike at a suburban Boston theater company that
> got settled.
>
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-- 
Kevin M. (RPCV)

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