Well... now you guys are gonna make me try and watch this show.   Adam,
kudos to you on that answer.

I think I have all the episodes of that series stored on my Betamax, but
have failed to ever make the time to start watching it.



On Tue, Dec 14, 2021 at 8:42 PM PGage <[email protected]> wrote:

> Thanks so much Adam for taking the time to provide me with such a
> thoughtful and articulate response. I have asked the same question in
> several other places on the internet, and have only gotten some form of “if
> you don’t like this show your an idiot!” I guess that’s why, in a nutshell,
> I have enjoyed this group for so long.
>
> It’s interesting that many of the things you identified about your context
> I would second. I loved The Thick of It, and Veep of course, and can’t get
> enough of Carey Grant or Katharine Hepburn rapid firing delicious wise
> crack filled dialogue. While the Roys and the real life people they
> represent are horrible, they are somewhat less horrible than the killers,
> psychopaths and human traffickers in the Sopranos. I guess I just don’t
> hear the high quality dialog in Succession - instead I hear dialogue that
> wants to be classic and smart, but, for me, isn’t terribly.
>
> It’s not that I have to like the characters in a show, but I do have to
> care what happens to them, and I find I just don’t give a damn whether
> Ivanka or Eric or Don Jr wins this weeks power struggle, and I don’t care
> about their spouses or their cousins or the horse they rode in on. I am
> interested in media as well, but I don’t count what Murdoch does as actual
> media.
>
> I don’t hate the show; I’ve seen every episode, and enjoyed some
> significantly, and most at least a little. But not only would I not
> nominate it as one of the best shows of the year, I would not put it on my
> list of the top 25 of the 21st century.
>
> It is odd for me though, because it feels like a show that is being aimed
> at me. A lot of my friends and family members, who have similar tastes in
> popular entertainment as I do, LOVE the show, and want to do long water
> cooler deep dives into it with me in chats and tweets the next day, and
> mostly I can’t be bothered to do much more than grouse about how much I
> dislike having to be around those people for another hour.
>
> On Tue, 14 Dec 2021 at 4:00 PM Adam Bowie <[email protected]> wrote:
>
>>
>>
>> On Tue, Dec 14, 2021 at 10:11 PM PGage <[email protected]> wrote:
>>
>>>
>>> Can you at all out into words what it is you like about spending time
>>> with them? I keep wondering if I am just looking at it the wrong way. I
>>> just detest the people, and am not charmed by the snappy dialogue- and
>>> particularly do not find Roman funny or endearing.
>>>
>>>
>> Objectively, they are all awful people. But that's not what I'm always
>> looking for from a show. You're not supposed to like these characters. But
>> you are supposed to believe in them. And they're drawn richly enough that I
>> do. Indeed what this show is brilliant at is making me interested in these
>> otherwise terrible people. That's hard to do. Sure, we've had anti-heroes
>> forever. It's even become a bit of a TV cliché - from Tony Soprano to Vic
>> Mackey in The Shield to Walter White in Breaking Bad. But those shows are
>> about us kinda liking the bad boys. This is something different.
>>
>> Strangely, these feel as real a bunch of TV characters that I can think
>> of in any show ever. That comes through in the writing and the top-notch
>> performances. There are awkward silences; there are bits of dialogue that
>> are incoherent and don't feel as though a writer has written them (although
>> for the most part, they very much have). Literally every character feels
>> properly fleshed out, and not just a means to an end. And the show
>> repeatedly leaves massive gaps in telling us exactly what's going on. We
>> have to work to keep up - it doesn't hold our hands. and you just don't get
>> exposition dialogue lazily dumped on us. We're treated like adults. It's a
>> show that you absolutely cannot be scrolling through your phone while you
>> watch it - not if you want to fully appreciate it anyway.
>>
>> Part of my love of Succession is certainly the sphere they operate in.
>> Media has become so dominant in recent years, and I have always been
>> obsessed with it. Here's a fictional company that has at its heart a Fox
>> News-alike channel that from their perspective is just a means to an end to
>> make money. And the characters know it intrinsically, but just don't care.
>> On this week's episode, one of the throwaway lines spoke of turning on the
>> "bigot spigot" when referencing their news channel, and their happiness in
>> getting into bed with extreme right wingers. Sadly, it's vastly more
>> authentic than, say, ACN in Aaron Sorkin's The Newsroom - a show that
>> itself could have been designed perfectly for me. Literally just this week,
>> Fox News has lost Chris Wallace, coming just a couple of weeks after their
>> streaming sibling turned up the "bigot spigot" to the max with Tucker
>> Carlson's "documentary."
>>
>> Another reason for me loving the show is that you can follow a pretty
>> clear through narrative from the British show, The Thick of It (from which
>> the movie In the Loop, was a spin-off), through Veep and then finally to
>> Succession. Jesse Armstrong, who created Succession, worked as a writer on
>> the previous two shows, both created by the peerless Armando Ianucci. While
>> the former two are easily classifiable as comedies, I'm not sure exactly
>> where I'd place Succession, and it's probably reductive to attempt to
>> define it clearly as a  "drama" or a "comedy." It's definitely not a
>> "comedy-drama" either. But it does have much more humour - and frankly,
>> more laugh out loud moments, for me anyway, than most "comedies" I watch on
>> TV. But Malcolm Tucker on The Thick of It and Selena Myers in Veep were
>> pretty obnoxious too. I lapped them up.
>>
>> I suppose I can sit at arm's length from these characters and be
>> enormously superior about their incestuous behaviours, and yet there's the
>> dawning realisation that this really isn't that far removed from reality.
>> It's going to be interesting to see Adam McKay's new movie, Don't Look Up,
>> which from reviews, seems to be covering related ground, in perhaps a more
>> slapstick manner.
>>
>> On another level entirely, one of my favourite film genres is the
>> screwball comedy - especially those of the 30s and 40s. Howard Hawks'
>> Bringing Up Baby and His Girl Friday are comfortably inside my top ten
>> films of all time. Now what Succession doesn't have, which are essential
>> ingredients in a screwball is a love story at the heart of them. Characters
>> have relationships in Succession, but there's little in the way of love.
>> However, both have lines delivered at 100 miles an hour, with lines that
>> pass by so fast that you almost have to re-watch them to catch them.
>>
>> One final note on the Jeremy Strong thing - I thought this piece by The
>> Guardian's Hadley Freeman, who herself interviewed Strong ahead of the
>> start of this season, was very fair, and on the money -
>> https://www.theguardian.com/film/2021/dec/10/madness-in-their-method-have-we-fallen-out-of-love-with-actorly-excess
>>
>>
>> Adam
>>
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