Well, here's where you can see the Best Picture nominees in the US right 
now:

ALL QUIET--Netfilx
AVATAR 2--theaters, IMAX preferred--coming to both HBO Max and Disney+
BANSHEES--HBO Max
ELVIS--HBO Max
EVERYTHING--Showtime, which does stream for cord-cutters
FABELMANS--Theaters and PPV, will probably play on Peacock before the 
Oscarcast
TAR--PPV now, on Peacock Friday
TOP GUN 2--Paramount+ and MGM+, the former Epix
TRIANGLE OF SADNESS--PPV now, but Hulu seems to get most arthouse titles
WOMEN TALKING--Theaters now, but will end up on MGM+ and Amazon

On Tuesday, January 24, 2023 at 10:21:43 AM UTC-6 Adam Bowie wrote:

> I suspect that I've read the same Puck pieces on Andrea Riseborough and 
> "To Leslie" that PGage has. I believe the film got a very limited UK 
> release back in October, but it completely passed me by at the time. But 
> Riseborough isn't an unknown in any way, at least in the UK. For instance, 
> she has a part in David O Russell's Amsterdam which came out around the 
> same time (that film was a disappointment for me...) and has won various 
> smaller awards over the years. 
>
> The film seems to be available to rent on the usual streaming services, so 
> I'll check it out too. 
>
> Of the Best Picture noms, I've only seen four of the ten so far. In the 
> UK, three are on streaming platforms - The Banshees of Inisherin on 
> Disney+, Everything Everywhere All At Once on Prime Video and All Quiet on 
> the Western Front on Netflix. Elvis and Triangle of Sadness are available 
> to rent. Avatar: The Way of Water and Tar are in cinemas now (Tar only came 
> out a week or so ago), and The Fabelmans and Women Talking have yet to be 
> released here! The Fabelmans comes out this Friday, and I think Women 
> Talking a couple of weeks later.
>
> Personally I hate the winter rush to release all the good stuff at once. 
> It seems self-defeating, but there you go.
>
> In tangentially related news, the BAFTA film awards are partially fixing 
> something they've not managed to do for years - and be broadcast live on 
> TV... a bit. For unknown reasons, the BBC has not shown the awards live for 
> years now, instead showing them on a delay. But in a time of social media, 
> it means every single award is "spoiled" if you stray near your phone or 
> laptop. This year, they'll still be on a delay until they aren't. The final 
> four awards will be live. I assume that some editors somewhere will be 
> judiciously removing animated short awards and so on for a package at the 
> end, meaning that a three hour live show that starts at 6pm and finishes at 
> 9pm will be compressed into a TV show that has to hit a live point at about 
> 8.30pm or something to hand out the final four awards live. I'm sure 
> there'll be some kind of in-room 15 minute intermission to cover over the 
> gap.
>
>
> Adam
>
>
>
> On Tue, Jan 24, 2023 at 3:31 PM PGage <[email protected]> wrote:
>
>>
>> At first glance I am most interested in the best actress nomination for 
>> Andrea Riseborough. I can’t remember if this has been discussed here; she 
>> is a little know actress in an extremely low budget and little noticed film 
>> (“To Leslie”), whose non-existent Oscar chances suddenly blew up in late 
>> December when a gaggle of A-List actors began tweeting superlative praises 
>> for her performance, seemingly spontaneously, culminating in Cate Blanchett 
>> name checking her in a gush during her acceptance speech for her Critics 
>> Choice Award last week. I first noticed this on my own Twitter feed with a 
>> tweet from Ed Norton, which seemed peculiar enough that I searched for, and 
>> found, many more.
>>
>>
>> I have not yet seen the film (but will, as I try to see all films 
>> nominated in major categories every year), perhaps the social media 
>> blizzard is justified solely on the merits, though if so this would have to 
>> be the most impressive acting performance in history. More likely it is a 
>> good enough performance (I have seen it described as rather showy by less 
>> effusive reviewers) that got the social media celebrity supercharge 
>> treatment via Riseborough’s representation by CAA, which also reps a number 
>> of the Tweeting stars. The film had zero budget, and could not afford a 
>> single ad, and it doesn’t require too much imagination to picture CAA 
>> asking it’s top talent to watch the film and post something ice, and then 
>> initiating a perfect storm of romantic crusade for the poor underdog plus 
>> Puckish delight at pulling one over on the public and big studios, with 
>> perhaps some old AIDS ribbon era Hollywood conformity leading some fearful 
>> of being left out for jumping on board. 
>>
>>
>> Even so there was widespread speculation that the push was too little too 
>> late, and now that she actually got the nomination I wonder if some are 
>> sorry, as it must have pushed some established actress out of the 
>> nominations, perhaps a friend to some of the social media amplifiers.
>>
>> On Tue, 24 Jan 2023 at 6:09 AM 'Bob Jersey' via TVorNotTV <
>> [email protected]> wrote:
>>
>>> https://www.oscars.org/oscars/ceremonies/2023 (link)
>>>
>>> Reactions here.
>>>
>>> B
>>>
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