The DGA was never going on strike, and this deal does not “address core
demands from the WGA regarding the minimum number of writers hired for TV
shows and the spread of much-maligned “mini-rooms.”  (LAT).

>From Deadline:

“the new DGA deal goes a long way toward achieving many of the gains sought
by the WGA in terms of wages, foreign streaming residuals, and artificial
intelligence, adding pressure on the WGA to take the same deal on those
issues in what’s known as “pattern bargaining.”

The DGA deal, however, does not address one of the WGA’s core issues:
staffing mandates for writers on episodic TV shows, which the Alliance of
Motion Picture and Television Producers has called a “quota” that is
“incompatible with the creative nature of our industry.” The DGA has long
had mandatory staffing provisions
<https://deadline.com/2023/05/writers-strike-wga-minimum-staffing-requirement-1235359357/>
for
various below-the-line members of the director’s team, including unit
production managers, assistant directors and associate directors.

So how far does the DGA deal move the needle closer to what the WGA is
asking for? Not close enough to end the strike, no doubt. But close enough
to warrant a return to the bargaining table, using the DGA deal as a new
starting point.“

https://deadline.com/2023/06/dga-deal-new-contract-changes-analysis-wga-writers-strike-resuming-negotiations-1235408140/

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