The difference here is that actors own their NIL by law. If an actor signs
on for a movie and in the contract is a ceding of rights for digitally
generated sequels, should the terms be negotiated individually (power to
the studio as they make appearing in the first movie contingent) or covered
in a standard way as part of a collective bargaining agreement.

On Wed, Jun 7, 2023 at 12:37 AM 'David Bruggeman' via TVorNotTV <
[email protected]> wrote:

> This scenario isn't that far of a step from the conflicts in the sports
> world over who has rights to name, image and likeness of athletes (usually
> those in the college ranks, but not always) for various commercial
> opportunities.
>
> My sense is *if* it doesn't see discussion in this cycle, it will be an
> issue in the next, assuming the changes don't overtake things.
>
> David
>
> On Tuesday, June 6, 2023 at 05:06:25 PM PDT, Kevin M. <
> [email protected]> wrote:
>
>
> I can’t help but believe that Justine Bateman’s theories about studios
> using AI and CGI to create deepfakes of actors convincing enough to
> eliminate the need for fresh and blood actors has them spooked. If the
> union starts pushing for likeness residuals or copyright claims on faces,
> bodies, etc, this could be longer and more protracted than what’s going on
> with the WGA.
>
> On Tue, Jun 6, 2023 at 4:32 PM 'Bob Jersey' via TVorNotTV <
> [email protected]> wrote:
>
> Days after directors reached agreement with the Alliance.
>
> https://variety.com/2023/tv/news/sag-aftra-strike-authorization-vote-writers-1235633850/
>  (link)
> B
>
>
>
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