Backstage drama involving the Dutch

https://www.bbc.com/news/entertainment-arts-68993726?at_bbc_team=editorial&at_format=image&at_campaign=Social_Flow&at_link_type=web_link&at_medium=social&at_link_origin=BBC_News&at_campaign_type=owned&at_ptr_name=linked_in_page&at_link_id=3CD0835A-0F88-11EF-A7D1-A15769AFA27A


Kevin M. (RPCV)


On Fri, May 10, 2024 at 10:10 AM Adam Bowie <[email protected]> wrote:

> Yes - all kinds of shared footage.
>
> In the past, even the Olympics would have been bought by Eurovision for
> onward sharing by member stations across Europe (Warner Bros Discovery has
> it these days, although they sub licence footage to many national PSBs
> around Europe as required by law).
>
> On Fri, 10 May 2024, 16:24 Mark Jeffries, <[email protected]> wrote:
>
>> And doesn't the EBU provide shared news and events coverage with its
>> member broadcasters?  That's where the "Eurovision" name comes from (and
>> the blast of Charpentier's "Te Deum" that begins and ends Eurovision
>> broadcasts).
>>
>> Mark Jeffries
>> [email protected]
>>
>>
>> On Fri, May 10, 2024 at 9:34 AM Adam Bowie <[email protected]> wrote:
>>
>>> Eurovision is very expensive, although I'm never entirely sure why.
>>> Costs vary, but somewhere around $20m+ is probably fairly close. And from
>>> what I can tell, that cost is essentially borne by the host country - the
>>> host being the winner of the previous year's competition (the UK stepped in
>>> to host for Ukraine last year having finished 2nd in 2022).
>>>
>>> But I'm not sure that it's true to say that it would never happen if
>>> proposed today. The ratings are insanely good in most countries across
>>> Europe. In the UK it's about 10m, which placed it third in 2023 behind only
>>> the coronation (which isn't something that comes around that much) and the
>>> finale of Happy Valley. And in some European countries it is taken *much*
>>> more seriously than it is in the UK.
>>>
>>> And it has a bunch of things that continue to work in 2024. Years ago,
>>> they transitioned from juries being the sole arbiters in each country to
>>> phone lines and now online voting. That means audience participation. And
>>> there's the reality-show style lead-ups in many countries that go about
>>> choosing that country's entry (Not everyone does this. Someone in the UK
>>> just *picks* our entrant these days.)
>>>
>>> Eurovision itself is much bigger than just the Song Competition. There
>>> are other shared rights that member countries get access to. And these
>>> days, a lot of classical music created by various state broadcasters around
>>> Europe is shared this way. For example, many across Europe will watch the
>>> New Year's Day Concert from Vienna which plays a lot of Strauss waltzes
>>> (e.g. The Blue Danube) every year. The BBC Proms are shared across Europe
>>> too.
>>>
>>> As for the booing - I'm sure that they have really good sound mixers on
>>> the programme that means that they can easily turn up or down sections of
>>> the audience that are doing anything that they don't like. For a show like
>>> Eurovision, you would probably have lots of microphones scattered across
>>> the audience that you can mix between. In Premier League football fixtures,
>>> sections of the crowd will sometimes sing songs with words that can't be
>>> broadcast, and the sound mixer will dip the relevant mics and bring up
>>> others. And I'm sure they can "augment" the crowd mix if needed.
>>>
>>>
>>> Adam
>>>
>>> On Fri, May 10, 2024 at 2:57 PM Mark Jeffries <[email protected]>
>>> wrote:
>>>
>>>> In an interesting piece behind a paywall, the Ankler said that the very
>>>> expensive to run Eurovision song contest has kept going due only to
>>>> tradition and that if someone would propose it today, it would be turned
>>>> down in the wink of an eye. Of course, it was a much different beast in
>>>> 1958, with everyone in formal wear singing in front of a house orchestra in
>>>> a concert hall and no dancers or flashy special effects--and only seven
>>>> contestants.  And it was reflecting the mainstream western European adult
>>>> sensibility of easy listening music (none of that American rock and roll).
>>>> Even in 1974, when ABBA basically began their international career at
>>>> Eurovision, the production on their hit song "Waterloo" was understated
>>>> compared to the overblown spectacle Eurovision has become--and the fall of
>>>> the eastern Soviet bloc has made a big difference in what the contest has
>>>> become.
>>>>
>>>> Mark Jeffries
>>>> [email protected]
>>>>
>>>>
>>>> On Fri, May 10, 2024 at 8:38 AM John Edwards <[email protected]>
>>>> wrote:
>>>>
>>>>> The EBU did apparently take steps to ensure that any booing last night
>>>>> wasn't audible on the broadcast, and isn't above sweetening or inserting
>>>>> sounds of cheering to ensure that any booing doesn't go out on TV. Social
>>>>> media last night indicated that there was some booing, but I'm not sure if
>>>>> it was as pronounced as during the dress rehearsal on Wednesday.
>>>>>
>>>>> John
>>>>>
>>>>> On Thu, May 9, 2024 at 7:42 PM Mark Jeffries <[email protected]>
>>>>> wrote:
>>>>>
>>>>>> Singer Eden Golan has been told not to leave her hotel in Malmo,
>>>>>> Sweden, except for rehearsals and performances, as throngs outside are
>>>>>> protesting Israel's presence in the annual song contest--the song was
>>>>>> originally entitled "October Rain," but the Eurovision bosses rejected it
>>>>>> as too controversial, so it was rewritten and retitled "Hurricane" (video
>>>>>> of song in link)--Golan's rehearsal yesterday was interrupted by boos 
>>>>>> from
>>>>>> the audience, although no boos were evident during today's semi-final 
>>>>>> heat
>>>>>> telecast (I'm assuming that Sweden's SVT is not sweetening the audience
>>>>>> response like some American reality comps)--she made it into the Saturday
>>>>>> finals after an all-viewer vote (the finals are at 3 p.m. ET in the U.S. 
>>>>>> on
>>>>>> Peacock), as did the Irish rock band Bambie Thug, who had to change their
>>>>>> costumes on Tuesday's semi-final heat when it was found that Celtic 
>>>>>> writing
>>>>>> on the costumes said "CEASE FIRE" and "FREEDOM FOR PALESTINE":
>>>>>>
>>>>>>
>>>>>> https://www.thewrap.com/eurovision-protests-israel-eden-golan-hurricane/
>>>>>>
>>>>>> The European Broadcasting Union of pubcasters who organizes
>>>>>> Eurovision has always maintained that the contest is apolitical and that
>>>>>> Israel's pubcasters are valid members of the organization, but politics 
>>>>>> has
>>>>>> always butt into the proceedings over the years (like the Ukraine winning
>>>>>> in 2022 after the Russian invasion) and with the panels of industry 
>>>>>> people
>>>>>> voting on Saturday along with viewers, it will be interesting to see how
>>>>>> Israel does and if the EBU will get hit with either coddling Zionism or
>>>>>> supporting anti-Semitism.
>>>>>>
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>>>>>> .
>>>>>>
>>>>>
>>>>>
>>>>> --
>>>>> John Edwards
>>>>> "You can insure against the weather, but you can't insure against
>>>>> incompetence, can you?" - Phil Tufnell
>>>>>
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