Welles's estate responded:  “We saw the various articles on ‘Ambersons’ 
today. In general, the estate has embraced AI technology to create a voice 
model intended to be used for VO work with brands. That said, this attempt 
to generate publicity on the back of Welles’ creative genius is 
disappointing, especially as we weren’t even given the courtesy of a heads 
up,” a spokesperson for the Welles estate wrote. “While AI is inevitable, 
it still cannot replace the creative instincts resident in the human mind, 
which means this effort to make Ambersons whole will be a purely mechanical 
exercise without any of the uniquely innovative thinking or a creative 
force like Welles.” 

https://variety.com/2025/film/news/orson-welles-estate-blasts-ai-magnificent-ambersons-ending-1236509523/

--Dave Sikula

On Friday, September 5, 2025 at 9:26:51 AM UTC-7 Bob F wrote:

> Apparently for an academic presentation at some point, not to make Warner 
> Bros (who own the video/digital/etc rights) and Concord Theatricals 
> (exhibition rights) re-release *The Magnificent Ambersons,* which RKO 
> edited heavily, and happyfied the ending, before the original one (and 
> burned the negatives!), leading Bernard Herrmann to request his music 
> credit also be removed:
>
> https://www.hollywoodreporter.com/business/business-news/orson-welles-lost-movie-ai-1236361881/
>  (link)
>

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