On Tue, 2006-10-10 at 16:29 +0100, Who wrote: > These fix those issues in a few ways
As I have always said -- your work is pretty incredible Who. Although I fundamentally disagree with the design decision to put the dual curve into the logo, your work is the most standout by far. In particular, Saturated_Full_Logo_018.png is probably the most refined. It offers the most elegant chroming treatment. A note on the glossing / chroming: * Traditional airbrush techniques generally will lean towards a sharper falloff / gradient. As you can see with 18, the sharper falloff yield the most convincing results. Two pennies worth of trial might be to increase the bottommost sheen where the black transitions into white and amplify the gradient. Again, sharp falloff, but slightly more extreme towards the deep black. Great work! TJS PS: I honestly believe that our most logical path for the curving is to modify the curve on the text logo as it is nearly impossible to reconcile the curve - flat - curve option. One possible variation on this might be to wisp the entry to the 'U' and the exit on the rightmost 'U' to minimize the effect. More of a similarity to water surface tension adhesion to glass on the perimeter.
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