On Wed, Feb 20, 2008 at 02:49:04PM -0500, Sean Corbett wrote: > > 90% of the best sounding records are made with equipment that would be > > called outdated today. Where were the realtime-vsts as Todd Runtgren > > made "Wave" with the Patti Smith Group? What about Laurie Andersons "Big > > Science? what about The Stooges? Get the record (I mean the real thing > > in black 12"), listen to "1969", "No Fun" or "We will fall" and you know > > how the sound of a record can help to make music a classic. > > And where were your fancy new-fangled flying faders when Pink Floyd > mixed down Dark Side of the Moon? Nowhere to be seen. They did it > old-school, with each member of the band standing around the mixing > console, each with several fingers full of faders, and mixed it on the > fly. One of the last great recordings to be mixed this way. Not a > one or a zero anywhere to be found, and it's one of the most > incredible records ever made. > Ask Dave Gilmour or any of the band, Alan Parsons was a big contributor to the sound of DSOTM.
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