>> Certainly, quaternions would not be needed for transcribing clay >> tablets as such, yet could be useful in, say, making an animated movie >> showing how a particular sign consisting of a number of wedge >> indentations would have been made.
> "Stroke order"? Well, what is meant by stroke order? For example, one could have a gif illustration file showing a picture of a cuneiform sign and the illustration have modern numbers added to the illustration showing the order in which the wedges were made. I have no knowledge whatsoever as to whether such an illustration showing stroke order is unnecessary, just right or insufficient for the needs of researchers seeking to study cuneiform writing. Hopefully the title of this posting will lead to someone posting a response. I would like to know out of interest. On a more general level as to whether quaternions will be used in research on analyzing cuneiform tablets, I have no idea. Presumably researchers will use whatever techniques from whatever disciplines will give the best results that can be obtained within the constraints of what can be realistically used for their research. They are already using physics and engineering and virtual world technology and virtual world software, so the possibility of using quaternions from mathematics is not unrealistic. Many technologies can be applied with what I call "devolved precision", that is, precision is needed in the manufacturing of a tool and the user of that tool benefits from that precision having been used when the user of the tool applies that tool to do something else. For example, if someone uses a hand press to print an original poem on a sheet of paper using metal type using a typeface such as Garamond Italic and produces a really nice result, then that nice result uses all of the precision of the cutter of the original metal punches used for making the matrices from which the type was cast. The person using the hand press does not work to the precision of the punch cutter, yet has the benefit of the precision of that punch cutter, who may well have carried out the work before the poem was written, with no knowledge of the poem. So, someone applying quaternions need not go into the background of the invention of quaternions at all, simply benefitting from the fact that the research of inventing them and establishing many properties was carried out by mathematicians. On the matter of cuneiform writing, I read that originally people were unable to decipher the writing. How did the writing come to be deciphered please? In relation to Egyptian Hieroglyphics I am familiar with the story of the Rosetta Stone, where the same text was inscribed in three languages, one of which used Egyptian Hieroglyphics and one of which was a known language. How did cuneiform become deciphered please? Does anyone know of any articles about this on the web please? William Overington 2 May 2002
