You know any time I have out of town visitors, I always take a walk around the block just to show them your iron work and the gate door.. I LOVE IT.
----- Original Message -----
Sent: Tuesday, April 23, 2002 9:24 AM
Subject: [UC] Future history in University City

When I bought 503 South 44th Street in 1978 I had two ornamental front window grates installed on it. They are composed of scraps from the shopfloor of the ironworker, Nick East, then owner of the Iron Men, and are far from being "period." They won a national ironwork design contest when they were made and they have been a neighborhood landmark ever since.
 
I bought them precisely because I couldn't afford the cost of "period" ornamental iron at the time, although I bought in the neighborhood because I valued its historic charm. That's why I went to the Iron Men, who were then (and remained for decades) the authoritative installers of period ironwork for University City. First I asked for period designs. Nick told me their price. As I picked my jaw up off the floor, I asked Nick feebly if there was *any* middle way between Fancy Schmancy window guards and Contemporary Prison security design. Nick allowed as how he had a pile of stuff knocking around his shop that he and his top assistant might enjoy playing around with, at about half the cost of Generic Victoriana. So that's what they did. They got happy in their shop at night and kept pushing the metal pieces around until they liked what they saw. I liked it too -- I was even able to choose a piece of the design myself -- and we put it up.
 
No way this kind of work would have been permitted by the Historic Commission. First, it isn't "period." Secondly, and more significantly I think, it isn't "bureaucratic." This work of art was not created by the sort of process that public architectural review committees are kind to. There were no "proposals," nothing was "submitted" to anybody.... I just had a desire -- to live (a) safely, (b) attractively, and (c) affordably; I came up with a solution, using an experienced resource who also lived in the community and was sensitive to its character. And it's not just a community of history buffs! There are also people in Spruce Hill who are interested in the future -- and always have been. That too is our history.
 
From time to time I've noticed other people add contemporary touches to our neighborhood housing stock that harmonize with the whole and enhance our communal quality of life. Just up the block, neighbor and artist Derek Myers (you may remember his exhibit at the Arts League) created that visionary gate at 430 South 44th Street.
 
This, I submit, is the kind of process that kept this neighborhood viable and valuable during the various Dark Ages that have swept over it. It is another kind of History and one that is equally essential to Spruce Hill -- a history of flexibility, adaptiveness, creativity and change. Sometimes change is negative. But when you're lucky, it's more positive than negative. The winds of change have been kind to Spruce Hill overall, as I see it.  It is at least as important for local government to assist change, to facilitate the advance of history, as it is to preserve its beginnings.
 
In my case, local government facilitated me quite nicely by leaving me and my wallet alone. I hope it continues to do so. I have an 8-year-old and balancing the cornices of the past with the tuition bills of the future is my Prime Directive. I'm deeply grateful for the assiduous labors of our historical preservationists in Spruce Hill and hope they will continue to lead by example rather than by fiat.
 
-- Tony West

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