There's something inherrently _wrong_ with "The Green Bird", now playing
at Curio Theater (Thursdays-Sundays tickets $10-20)). Written in 18th
century Italy by Carlo Gozzi, it's costumes, antics, and trappings, like
a shiny ball, immediately appeal to children, but the story is anything
but child-friendly. No, "The Green Bird" is a romp for grownups. The
plot is very loose and each performance is vastly different from the one
before as actors create a new play every night fueled by audience
participation and improv. The humor tends towards perverse, but
thankfully the audience is armed with bells upon entering the theater
and if the script delves too far into tasteless territory, everybody has
the Chuck Berris power to stop the antics by sounding off. In fact,
during the performance I went to, there was often a chorus of
bell-ringing (and occasionally hooting) as the innuendo built.

"The Green Bird" is actually two plays in one. Ninetta, the Queen of
Monterotondo, secretly banished and torn from her children by the King's
jealous mother, wanders the forest alone while the king, Tartaglia,
pines for her memory. This is a serious and tender tale of loss and
regret and is played seriously, and stunningly by capable actors (whom I
would mention by name if I had a program). Wrapped around this, like a
clown wig on the Venus Di Milo, is the story of Truffaldino and
Smeraldina, sausage makers to the king who have, unbeknownst to anyone,
adopted the missing prince and princess. It is here the ribald jokes
leak out. The two have a Punch and Judy style relationship of insults
and bickering as well as the basest of instincts.

Leave the kids at home and have a night of naughty fun. I'm going to go
back and check it out again on Thursday if anybody wants to go.

You can buy tickets beforehand at: http://www.curiotheatre.org/

kc

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