From:     [EMAIL PROTECTED]
Subject: Secret Cinema: CURATOR'S CHOICE 2008 at Moore College of Art & Design
        Date:   September 17, 2008 2:10:42 AM EDT
        To:       [EMAIL PROTECTED]

The Secret Cinema at Moore College of Art & Design
presents CURATOR'S CHOICE 2008: UNSEEN CORNERS OF
THE SECRET CINEMA ARCHIVES

Friday, September 26
8:00 pm
Admission: $7.00

Moore College of Art & Design
20th & Race Streets, Philadelphia
(215) 965-4099

On Friday, September 26, The Secret Cinema start its eleventh season at Moore College of Art and Design, with CURATOR'S CHOICE 2008: UNSEEN CORNERS OF THE SECRET CINEMA ARCHIVES. This hand-picked program of nearly-lost treasures from the deepest depths of the Secret Cinema film vaults will include just that -- with all films never shown before by us, and for that matter, probably 100% guaranteed to have never been seen before by any of the audience!

Some popular Secret Cinema programs get repeated over the years, to expose them to new audiences; other program ideas have been reused but with new/different films. CURATOR'S CHOICE 2008 falls in the latter category. This is only the third outing for the CURATOR'S CHOICE concept, which we last did exactly two years ago. WE HAVE NEVER SHOWN ANY OF THESE ACTUAL SHORT FILMS EVER BEFORE.

The Secret Cinema's private archive contains literally thousands of reels of 16mm (and 35mm, and 8mm) features, theatrical shorts, cartoons, newsreels, television shows, educational films, travel films, industrial films, and home movies. Together, they add up to well over one million feet of often rare celluloid, with several prints thought to be the only extant copies in the world.

Since 1992, the Secret Cinema has sought to create programming that exposes every type of these films, by showing these fascinating, historical, and often hilarious short films before features or in themed groupings. Yet, despite exposing hundreds of rare works this way, there are still many choice reels that we've never got around to screening publicly, often unclassifiable films that had inconvenient running times or could fit into no common theme.

Some of the best of these amazing films will again see the light of a projector bulb in CURATOR'S CHOICE 2008. This previously ungroupable group of short films will include films that were made to entertain, to teach, to encourage commerce and to alter opinion. Spanning many decades, many show wondrous places, styles and things that have long- since vanished. Some of them now seem campy, others still have valid lessons to teach, but all are fascinating, and extremely unlikely to be seen anywhere else, including on video.

There will be one complete program, starting at 8:00 pm. Admission is $7.00.

The program is still being assembled, but just a few highlights are:

YOU IN GREAT BRITAIN (1954) - This Armed Forces Information Film was never meant to be seen by a general audience, but a uniformed one -- specifically, members of our military who were stationed in a recovering England in the post-war era. The short begins with a short historical segment showing why the U.K., despite a very different temperament in its citizens, was much closer to the American ideal than other nations being harmed by "aggressive communism." We then take a more intimate peek at the lives of typical Britons. As England was still struggling to put its economy back together, the American soldiers were cautioned not to throw their money around in a boastful way that might offend our less-fortunate allies. A fascinating document, with Larry Hagman yet.

COCA COLA: OPERATION TIGER (1975?) - Yet another private film made for privileged eyes: This corporate motivational film was made to instill pride and passion in the hearts of Coca Cola bottlers and their delivery men, in hope that they would take extra care when setting up store displays of the "beautiful red and white labels" on countless cases of Coca Cola. It was part of a 1970s campaign secretly titled "Operation Tiger," and attempted to inspire these men to become fierce kings of the soft drink jungle. A rare view from inside the belly of the carbonated corporate beast!

THE MAKING OF THE PRESIDENT 1960 (1961) - This timely classroom short, made entirely from period newsreel footage, looks at the presidential campaigns and political conventions that launched our most tumultuous decade. Includes close-up looks at the winners (Kennedy and Nixon) and also-rans (Lyndon Johnson, Hubert Humphrey, Nelson Rockefeller, Adlai Stevenson and others). This was the first presidential election to collect votes from our two newest states, which coincidentally were the childhood homes of Barack Obama (Hawaii) and Sarah Palin (Alaska). Neither were yet born, but they were no doubt later inspired by the presence of local voting booths.

RED LIGHT, GREEN LIGHT: MEETING STRANGERS (1969) - This potentially scary educational film uses a simple color-coded visual effect to allow its primary school audience to quickly divide people into two possible categories -- strangers, all of whom seem to be predatory perverts, and known, trustworthy authority figures (such as teachers, police, clergy and friends' parents!). Perhaps a more reliable litmus test would be to beware of anyone with an undue interest in the 1924 silent film WILD AND WOOLY.

WILD AND WOOLY (1924, silent) - The opening credits inform us that WILD AND WOOLY is "one of the Novelty Comedy RIBTICKLERS," but little else is known about the origin of this truly bizarre short from the golden age of silent comedy. The brief story of a genteel mother who grooms her young boy to look like a sissy when he would rather play rough with the neighborhood tough kids is creepy enough...but it is rendered that much more disturbing by the filming of a gratuitous and shocking nude scene of the curly-haired child, as his mother dries him off after a shower! Not to be confused with the better-known Douglas Fairbanks film of the same title.

…plus much, much more!




SECRET CINEMA WEBSITE: http://www.thesecretcinema.com


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