Wednesday, February 23, 2011 at 7:30 pm

Buílle
New tunes written in Irish traditional style with contemporary arrangements
"As fresh a breath that’s blown through traditional and roots circles in a 
long, long time." - Irish Times

John Doyle
Setting the standard for contemporary Irish guitar
"A magical touch, always providing exactly what is needed - a dream guitarist." 
- Irish Edition

At Crossroads Music, 801 S. 48th St (in Calvary Church)

Tickets ($10-30) available online (www.crossroadsconcerts.org) and at the door 
until we sell out.

Buílle was formed in 2004 by Armagh born brothers Niall and Caoimhín Vallely to 
perform a body of new tunes written in a traditional style with contemporary 
arrangements. Niall Vallely has established himself as one of the most original 
and distinctive voices in Irish traditional music. He began learning the 
concertina at the age of seven and over the years has developed a unique 
approach to playing the instrument. In 1990, Niall formed the group Nomos, now 
recognized as one of the most important Irish bands of recent times. Since 
2000, he has performed solo and with musicians such as Karan Casey, Tim 
O'Brien, Mícheál Ó Súilleabháin, Paddy Keenan, Mel Mercier and also composed a 
significant body of new music. Caoimhín Vallely first came to prominence as 
fiddle player with the exciting Cork band North Cregg but has emerged in recent 
years as one of the most interesting and individual piano players on the 
traditional music scene.

John Doyle's gifts as a guitarist, songwriter, vocalist, and producer have 
played an essential role in the ongoing renaissance of Irish traditional music. 
As a member of Irish-American supergroup Solas - and a highly sought-after 
session player - Doyle pioneered a rhythmic, sophisticated approach to Irish 
guitar accompaniment, setting a new standard for the instrument. When the 
original members of Solas parted ways, Doyle embarked on a solo career. 
Preserving the tasteful simplicity of tradition, Doyle nonetheless adds a 
contemporary edge, finding fresh life in even the most well-worn of tunes. His 
playing encompasses hard-driving strumming, inventive chord voicings, precise 
single-note runs, and powerful rhythmic effects borrowed from traditional 
instruments such as the bodhran and fiddle.

Sound samples, individual bios, and tickets are available at 
http://www.crossroadsconcerts.org----
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