Just to keep an old flame war going....
I will not argue that BSD is more "free", except that, if you read my letter, you would notice little difference between Disney taking a work that was only protected for 28 years and making a derivitive that will be protected for 95, or more, years and a company taking a BSD work and making a proprietary derivitive. While copyright law still exists, and you will notice I never said IP law, in and of itself, was bad, I, personally, would like to use it to assure that such abusive integration of my work does not happen.
The BSD license, the GPL, and Creative Commons, are all services meant to help end the maddness of current IP law. Some prefer total "giving away" as BSD, others like the share-and-share-alike of the GPL. Both are possible under CC. In the end it's only a preference.
--jeremy
Josh Coates wrote:
This makes me thankful for the GNU license.
just pick up on an old flame war in case anyone has missed it, the BSD license *is* much more "free" than GNU. i trust this is self evident, but i just wanted to point it out in case that escaped anyone.
Josh Coates http://www.jcoates.org
-----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of Robert LeBlanc Sent: Thursday, February 10, 2005 9:51 PM To: BYU Unix Users Group Subject: RE: [uug] Daily Universe Watch: More drivel
This makes me thankful for the GNU license. You use it now, and you give back to the community now. There is no waiting 20-some-odd years to give back, we get to do it now.
Robert LeBlanc
-----Original Message-----[mailto:[EMAIL PROTECTED]
From: [EMAIL PROTECTED]
Thursday'sOn Behalf Of jb Sent: Thursday, February 10, 2005 9:45 PM To: BYU Unix Users Group Subject: Re: [uug] Daily Universe Watch: More drivel
Maybe I shouldn't let this get my dander up, but there is something cathartic about spouting off the DU. so, here's the letter I just submitted:
==============
Although I agree that no one should download music illegally,
editorial, "Want a revolution? Get in tune, but do it legally", missedcopyright,
the boat on copyright law, justification, and history. First,
and other intellectual property law, is not required for creation, aswithout
the writer assumes. Pick any classical artist, and they created
the benefit of copyright or patents. The editorial states that IP lawis
"at the foundation of free enterprise in first world countries," but[where
Thomas Jefferson wrote to Isaac MacPhearson in 1813, "that the nations
which refuse monopolies of invention, are as fruitful as England
beforeIP originated] in new and useful devices."
Second, the writer completely fails to mention the copyright holder's responsibility to the society which grants the copyright. IP law is meant to reward, for a time, a creator with an exclusive monopoly over their creation. In return, the copyright owner forfeits all rights to their creation to society when the copyright expires. However, in today's world, where copyright terms have, in our lifetime, twice been extended retroactively, this expiration of copyright may never happen, effectively allowing copyright holders to receive protection from society without ever paying it back.
Third, copyright was originally for a maximum time of 28 years. That
means that all the Beatles, Elvis, and other "classics" released
1977, would already be public domain, but corporations have convincedbe
our lawmakers that they still deserve our protection. These laws also
apply to literature and film. Take for example, Kipling's "The Jungle
Book": It was protected from 1894-1922. Disney's 1967 derivative will
state,covered until 2062. (Protection of work-for-hire is now set at 95 years). The same can be said of Peter Pan, and Alice in Wonderland. What's worse, had those authors' works been protected by the same laws as Disney's versions, Disney would not have been able to make cartoons of them for free. Such companies seem keen on taking from the public domain, but never on contributing to it.
The good news is that copyright is not, as the editorial seems to
a natural right. Indeed, Jefferson said that "inventions then cannot,in
nature, be a subject of property," but it is society which allows itto
outrageousbe so. Therefore, these laws can be changed, but only when the average person stops accepting them as morally correct, and editorials stop repeating the popular rhetoric they're fed by big media.
Jeremy Browne San Jose, CA
==============
Brian Phillips wrote:
"If the majority of consumers will restrain themselves, the music industry will follow suit."
I guess because of the hundreds of times the media industry has
restrained itself from taking advantage of the consumer with
liesprices, we should take this one on trust.
-Brian
-----Original Message----- From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
On Behalf Of jb Sent: Thursday, February 10, 2005 8:47 PM To: Michael Halcrow; BYU Unix Users Group Subject: Re: [uug] Daily Universe Watch: More drivel
Let's see:
"For the music industry to give up its battle against copyright
violations would deny the concept of intellectual property, which
suchat the foundation of free enterprise in first world countries. It
could
lead to challenges of copyrights and patents of everything from
medicine
and computer technology to books and architectural plans. Without
andcopyrights and patents, artists and scientists would first starve
-then find new jobs, leaving the public without new films, cars,
medical
treatments or computer gadgets."
I think this person should read Thomas Jefferson's letter to Isaac MacPhearson.
"In a nutshell, society has to pay the people who do the work of creation and innovation."
First, we already pay them. We grant them a time-limited monopoly in exchange for rights to their work when that expires. Of course, this ain't happening anytime soon. Essencially, companies are getting our half of the deal and never having to give their half. Take a look at these examples: Kipling's The Jungle Book: C1894-1922 Disney's The Jungle Book: C1967-2062 Carrol's Alice I,II: C1871-1899 Disney's Alice in Wonderland: C1951-2046 Barrie's Peter Pan: C1902-1930 Disney's Peter pan: C1953-2048
Second, where were these IP laws when Mozart, Bach, daVinci, and all
the
----------------------------------------------------------------------other greatest artist in history were creating?
--jeremy
Michael Halcrow wrote:
.___________________________________________________________________.http://newsnet.byu.edu/story.cfm/54325
Mike
"Whenever there is a conflict between human rights and property rights, human rights must prevail." - Abraham Lincoln
their
-
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