Adrian Miles makes some interesting points.
However, most of his arguments evolve from the assumption that most vloggers
have dreams of going on to commercial distribution.
I agree with Adrain regarding serious commercial
syndication. Some things people don't realize is that you can't even sing
"Happy Birthday" without paying a pretty high licensing fee. It is "shared
knowledge" among filmmakers and documentary makers that one avoids having "Happy
Birthday" sung in any of their scenes.
However, I think Adrian is amiss when he
says:
"Without clearance
your material cannot be shown
in awards/festivals and cannot be broadcast. Basically you don't want to be the person that is the first one pursued for this, because the industry will not play nicely." I have had personal
experience in this regard. There is a documentary making the rounds called
"Based on a True Story". It has even gotten an award or two at film
festivals. At the core of this documentary is the filmmakers futile effort
to get the fellow who robbed the bank in "Dog Day Afternoon" to agree to be
interviewed for a set price.
In the documentary, the
filmmaker uses tapes of conversations regarding negotiation and a series of
photos he snapped on outings with the fellow who would never sign a
release. This was good enough to get accepted and played in film
festivals. However, I am assured by people working on a documentary on a
related theme that "Based on a True Story" would never pass muster for
commercial broadcast by a cable or television station or even for general
theatrical release.
I published links to a
series of articles on copyright at DV-info.net which spells out all these
chilling details.
However, the average
vlogger is unlikely to ever get into trouble for stuff he/she vlogs for
free. Yes, if they wanted to, those who owned the music, etc. could
perhaps seek an injunction or cease and desist order (whatever the legal mumbo
jumbo is called). However, it would be a waste of time doing so and would
not be worth the cost.
I have seen (and even
envied) vlogs which used the vlogger's great familiarity with music to set a
mood and create continuity between scenes.
When all is said and done,
I really don't think an ordinary vlogger really has to worry about this
"licensing" nonsense. That is one of the nice things about the netherworld
vlogosphere that we inhabit.
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- Re: [videoblogging] Various types of permission forms Randolfe Wicker
- Re: [videoblogging] Various types of permission for... Adrian Miles
- Re: [videoblogging] Various types of permission... Randolfe Wicker
- Re: [videoblogging] Various types of permis... Andreas Haugstrup
- Re: [videoblogging] Various types of permis... Adrian Miles
- Re: [videoblogging] Various types of permission for... Stephanie Bryant
- Re: [videoblogging] Various types of permission for... Randolfe Wicker