I'm no lawyer but I know that there is a legal concept 
called "incidental" music. I think that there are cases where it's 
not necessary to secure rights for music that shows up incidentally 
in your work. Like if you shot for a few minutes in a bar and there 
happened to be music playing in the background that you had no 
control over. Of course the prominence of the music and if the music 
were important to the story you were telling and how much of the 
music is heard are all factors for legal obligations. I also have 
heard that music clips of less than 60 seconds can be used without 
securing the rights. But like I said I'm not a lawyer so don't take 
my word for it, I'm just saying that these are things you might want 
to look into.

--- In [email protected], Randolfe Wicker 
<[EMAIL PROTECTED]> wrote:
> There have been numerous debates here about personal legal and 
financial vulnerability for using unlicensed music intentionally or 
accidentally in a vlog.  These problems seem to be almost endless in 
their complexity.  For instance, Steve Watkins writes:
> "I use copyrighted music and then give my videoblog away with
> > derivatives permitted, or even redistribution permitted, the 
license
> > wont stand up in court? Because I don't have the rights too the
> > original work I used, I cant give those rights away to anyone 
else?"
> 
> I can imagine how terrible it would be to create a work 
incorporating a vlog like the one described above only to discover 
you didn't have the "legal rights" you believed you had been given 
to use the material.
> 
> If you read the frightening details about how the lack of music 
licenses can prevent the showing of otherwise original video--say an 
interview taped with unwanted but identifiable music playing in the 
background in a bar or even on a beach with someone's radio playing 
many feet away--you have to wonder why (or if) someone has devised a 
way to eliminate such unwanted background noise from a soundtrack?
> 
> If this is not possible at the moment, one has to think that it 
could be at least technologically possible.  Wouldn't that be a help 
to everyone.  I find myself almost crazed while shooting footage in 
a location and then realizing I probably won't be able to use it 
because some passer-by has a boom box booming.
> 
> 
> 
> Randolfe (Randy) Wicker
> 
> Videographer, Writer, Activist
> Advisor: The Immortality Institute
> Hoboken, NJ




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