--- In [email protected], "Andreas Haugstrup Pedersen" <[EMAIL PROTECTED]> wrote: > > On Wed, 23 Nov 2005 19:15:08 +0100, Enric <[EMAIL PROTECTED]> wrote: > > > I don't see the relationship. Cinema and the subset of the edit is > > linear, hypertext is non-linear. This seems more poetic simile > > mismatch than illuminating. > > It was just a quote. Obviously it helps to read it all. :o) > > Cinema is non-linear before you decide on the edit as well. And when > hypertext is read it too become linear (you choose one path out of a group > of possibles). The difference is that there is one central person doing > the edit in cinema whereas in hypertext the edit is performed individually > with each reading. The point is that in cinema is that the in-between > clips is part of the meaning and the same in true in hypertext (with the > reader creating the in-betweens, making a huge change). Did that help at > all? > > - Andreas > -- > <URL:http://www.solitude.dk/> > Commentary on media, communication, culture and technology. >
The conceptual construction is in any media and a mental inference capability. This occurs in novels where a few well constructed words extrapolate to mental inages. The choice to move down hypertext channels, back-up and more to others and jump to points in the history is more essential. -- Enric ------------------------ Yahoo! Groups Sponsor --------------------~--> Get fast access to your favorite Yahoo! Groups. Make Yahoo! your home page http://us.click.yahoo.com/dpRU5A/wUILAA/yQLSAA/lBLqlB/TM --------------------------------------------------------------------~-> Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/videoblogging/ <*> To unsubscribe from this group, send an email to: [EMAIL PROTECTED] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
