I remember when I got out of College with a Film degree and called the
local Projectionist union.  The woman there, hearing how young my
voice sounded, basically said how dare I call for information.

  -- Enric

--- In [email protected], "Gena" <[EMAIL PROTECTED]> wrote:
>
> What you say seems ok, but what happens if Google/YouTube, Blip or the
> other online distribution places sign agreements with the unions that
> could eventually push out non-union and non-commercial productions?
> 
> Currently we have the choice to say "Bugger off, I don't need you."
> 
> If the online distribution joints are collecting revenue and braking
> off a piece for the union wouldn't the unions at some point force or
> make it known that they would "prefer" union talent in as many web
> based productions as possible? 
> 
> I don't know how to say this correctly but theoretically the union
> could tell you (Actor McVicar) to stop your production because you
> (Producer/Vlogger) are not paying union dues as an actor.
> 
> It goes back to the question what is going to be considered a
> professional production? Is a one person vlogger exempt but if you
> have three or more working together that makes it a production
> company?  This could set the precedent that allows the other
> entertainment unions jump in. 
> 
> I have too many questions about this. Gut feeling it seems like a
> creativity killer in the making.
> 
> Gena
> http://outonthestoop.blogspot.com
> 
> 
> --- In [email protected], "danielmcvicar"
> <danielmcvicar@> wrote:
> >
> > Hi Everybody,
> > I've been a member of SAG and AFTRA for decades, and sometimes serve
> > on committees in preparing for negotiation.
> > 
> > It is my observation that this is a new area for unions, producers,
> > performers and distributors of media.  The business models are being
> > disrupted.  
> > 
> > The union has always been there to protect performers from abusive
> > work conditions, to improve pay and conditions, and has also taken the
> > responsibility for insuring performers.
> > 
> > Regarding net video, the union doesn't know what to do yet.  There are
> > some plans in place that allow producers of net video to be brought in
> > under AFTRA rules that are not very expensive.  They would be similar
> > to lowbudget film deals.   
> > 
> > Really, it is at what point does the video become professional, and is
> > distributed in a way that makes money.  You may always operate outside
> > the union, if you are an independent producer, but there may be
> > limitations in using union members or in distributing videos through
> > union signatories.  That is the same in preexisting video and film
> > formats.
> > 
> > There are more shared points that the union would have with producers
> > and distributors of content.  One in particular is piracy, and the
> > violation of copyright.  I have suggested that in the coming
> > negotiation with the networks and producers for the AFTRA contract,
> > that the performer and union retain their right to sue Youtube or
> > another entity that profited illegally from their work and image. 
> > This would be an adjustment in language, because the current release
> > transfers copyright to the producer, and it is the producer's
> > responsibility to seek damages.
> > 
> > Without drilling down into more specifics, I would like to say that a
> > union can serve performers, creators and producers well.  It is the
> > loss of revenue from work that is the biggest threat to all.  Just ask
> >  people in the music industry.
> > 
> > Perhaps there will be an adaptation of the unions to include small
> > producers who perform and create, and the rights for all can be
> protected.
> > 
> > I don't think there is a way to bully anyone out of the sphere now. 
> > Not as long as there are video cameras, and places to post videos.
> > 
> > What they can do is to help the performer and creator earn some
> > revenue from the further distribution of their work in digital
> > formats, and recover part of that revenue stream be it in paid
> > download, or on a site or format that includes advertising.
> > 
> > Ciao!
> > D
> > 
> > --- In [email protected], "Steve Watkins" <steve@> wrote:
> > >
> > > Wel I am a fan of unions in general. I just think there will be some
> > > growing pains if they try to apply this stuff to net video
> > > prematurely, especially as there is currently so much hype about
> > > internet video $$ which doesnt match the reality for most.
> > > 
> > > So I do look forward to the day when unions get in the way of
someone
> > > exploiting people whilst making lots of money, but do not look
forward
> > > to the day that some small player with no money gets bullied out of
> > > this sphere by unions.
> > > 
> > > Cheers
> > > 
> > > Steve Elbow
> > > 
> > > --- In [email protected], "Jan McLaughlin"
> > > <jannie.jan@> wrote:
> > > > Is this a 'problem' for indie talent and technician? Or a
blessing?
> > > > 
> > > > Health insurance, retirement benefits, fiscal protections from
> > > abuse, etc?
> > > > 
> > > > There either will or will not come a time when the things you
> > > produce are
> > > > popular enough to sustain real livings for lots and lots of
> > people. When
> > > > that entertainment tipping point happens, why not provide yourself
> > > and the
> > > > people you work with living wages and benefits?
> > > > 
> > > > Serious talent wishing to cross over to MSM will be folded into
> > unions;
> > > > those who don't want to play in the MSM sandbox will stand
> > outside, not
> > > > looking in, but looking out to recruit new, hungry talent to feed
> > > the hungry
> > > > long tail of entertainment.
> > > > 
> > > > Jan
> > >
> >
>


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