Hey, Richard, that link's not working for me. Can you check it?

In New York film circles, we call that technique "double system sound".

Jan

On 11/1/07, Richard Amirault <[EMAIL PROTECTED]> wrote:
>
> What you suggest is the technique (called DOUBLE ENDED VIDEO SHOOTING)
> recommended by David Tames http://kino-eye.com/ who presented at
> PODCAMPBOSTON2 this past weekend.
>
> To hear David's presentation:
> http://n1jdu.org/temp/Double_Ended_Video_Shooting_1.mp3
>
> Richard Amirault
> Boston, MA, USA
> http://n1jdu.org
> http://bostonfandom.org
> http://www.youtube.com/watch?v=J7hf9u2ZdlQ
> ----- Original Message -----
> From: "Renat Zarbailov
>
> >I read the article and went to research further on reliability of
> lavalier
> > mikes. According to a comment of a customer on B&H site (under one of
> the
> > Sennheiser mike's in $599 category), all wireless mikes, even the most
> > expensive one costing around $3,000 will have drop-outs of signal when
> > used
> > on the streets of busy cities like NYC and such. So then I thought to
> > myself, what would be the most reliable approach to capture high quality
> > audio when it comes to interviewing people on the streets? The idea
> popped
> > quickly. Use a Samson Zoom H2 connected to Electrovoice unidirectional
> > mike.
> > Although H2 itself has multiple condenser mikes inside (even surround
> > sound), none of them are unidirectional. So with this set up there's
> more
> > work in post to sync the H2's audio with on-camera mike, but you get
> > crystal-clear reliable audio without any RF interference or drop-outs. I
> > haven't yet tested this work flow but I think this hits home.
> >
>
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>


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