Revisiting the whole live video thing due to stumbling across veetle.com. It
seems a little too good to be true, free high quality live streaming at SD
or HD with no ads and no bandwidth limits. Anyone used it? Experiences?
Anything?

Brook

On Sat, Mar 13, 2010 at 3:45 AM, RANDY MANN <themaddm...@gmail.com> wrote:

>
>
> you kinda need it every time, it does cut a lot of noise
>
> On Fri, Mar 12, 2010 at 11:04 PM, Loreta_Vaidas 
> <loretabir...@yahoo.com<loretabirkus%40yahoo.com>
> >wrote:
>
>
> >
> >
> > David,Richard,
> >
> > Thanks for all the advice.
> >
> > Yes, it's only me doing all the filming and sound. And yes, I do have a
> > wireless mic system (German brand). It's omnidirectional so I don't think
> > it's suitable for filming outside. That's why I need a boom pole to
> somehow
> > solve the outside filming situations.
> >
> > Is the wind screen (fluffy one) needed any time during filming outside or
> > more when it's really windy? My mic has a black standard one that came
> with
> > it so wonder if it's not going to be enough. It's usually not windy where
> I
> > live :)
> >
> > Thanks again.
> >
> > Loreta
> >
> >
> > --- In videoblogging@yahoogroups.com 
> > <videoblogging%40yahoogroups.com><videoblogging%
> 40yahoogroups.com>,
>
> > "Richard Amirault" <ramira...@...> wrote:
> > >
> > > ----- Original Message -----
> > > From: "Loreta_Vaidas"
> > > > Can anybody please recommend a good quality (not too pricey please)
> > boom
> > > > pole for a one person team?
> > >
> > > I don't understand what a "one person team" is. A "team", by definition
> > > seems to be a minimum of two.
> > >
> > > > I have an Audio-Technica AT875R shot gun mic which I'll be using for
> my
> >
> > > > videofilmings and would like a boom pole to go with it. Holding a
> pole
> > > > myself is not an option.
> > > >
> > > A "boom pole holder" may work.
> > >
> >
> http://www.bhphotovideo.com/c/search?Ntt=boom+pole+holder&N=0&InitialSearch=yes
> > > but only for a subject that is not moving about.
> > >
> > > > Please give me some guidance what features to look for in a pole,
> where
> >
> > > > and what best to purchase, etc.
> > > >
> > > Some poles have the mic cable built-in, and of course the length
> varies.
> > >
> > > You can always go with the Home Depot / Lowes extendable paint pole.
> But
> > you
> > > will need to purchase an attachment to convert the end to hold the mic.
> > >
> >
> http://cgi.ebay.com/Make-mic-boom-pole-w-adapter-4-rode-other-microphones_W0QQitemZ220557427871QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item335a3f449f
> > > and, of course, this also requires you to run the mic cable the length
> of
> >
> > > the pole.
> > >
> > > If you are shooting outdoors you will definitely need a windscreen. The
> > foam
> > > type may work well enough, or it may not. Better is the "furry" or
> "dead
> > > cat" type of windscreen. Even better is a "blimp" type with a furry
> > cover.
> > >
> > > If you have a person to hold the mic/boom pole be sure that they have
> > > headphones and can actually *hear* the audio from the mic. Otherwise
> they
> >
> > > won't know if they are holding the mic / pole properly. This may be a
> > long
> > > cable running out of the camcorder to the person, or .. you can do
> > "double
> > > system sound" and record to a high quality digital recorder. In that
> case
> >
> > > the recorder can be carried by the boom pole operator and and there is
> > less
> > > chance of someone tripping on a long cable from the camera. You will
> need
> > to
> > > sync-up the sound in editing, but it's not as hard as you might think.
> > >
> > > Richard Amirault
> > > N1JDU
> > > http://bostonfandom.org
> > >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>  
>



-- 
_______________________________________________________
Brook Hinton
film/video/audio art
www.brookhinton.com
studio vlog/blog: www.brookhinton.com/temporalab


[Non-text portions of this message have been removed]



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