Jessica, 

Just because something is not a legal copy does not necessarily mean it cannot 
be used legally.  One could make a fair use justification to use all of or 
portions of an illegal copy (for preservation, for example, but perhaps also 
for other uses).  Some sections require that to claim that particular 
exception, a legal copy must be used. Section 110 does require you use a legal 
copy (or begin with one, for 110(2)). Portions of 108 require that the library 
have a copy in their collections (which one would assume would mean they are 
legal), but not the portion dealing with the last 20 years of copyright 
protection.  The purpose of this part of 108 is to make available things for 
preservation, scholarship or research that would not otherwise be available and 
which are not under commercial exploitation.  As such, the source of the 
material is pretty irrelevant (as it is not damaging the copyright holder).  If 
the copyright holder decides they want to market the work, they have every 
right to, and the use of the material under that part of 108 must cease. Seems 
like a pretty good balance to me. 

mb


Michael Brewer
Team Leader for Instructional Services
University of Arizona Library 
[email protected]


-----Original Message-----
From: [email protected] 
[mailto:[email protected]] On Behalf Of Jessica Rosner
Sent: Wednesday, April 21, 2010 8:27 AM
To: [email protected]
Subject: Re: [Videolib] One more title - Desert Song

rather academic because the material available sucks and there is no
legal way to access the only good material which is at the Library of
Congress.
You can find clips of it on youtube which will give you  some idea of
how bad the material is. If a DESPERATE researcher needed to see it
and could not go to LOC then OK , but otherwise it is just awful.

On a side note Deg's copy would be illegal from the get go so you
could not use that. The provision below was put in recently to allow
some archive material to be accessed for educational use, but again
the catch is you have to FIND & ACCESS the material which is a bit too
expensive for a one off copy. The LOC copy can't be used because of
donor restrictions and  it appears to be the only archive copy.

On Wed, Apr 21, 2010 at 11:06 AM, Brewer, Michael
<[email protected]> wrote:
> Hmm. Never released (not subject to commercial exploitation), in its last 20 
> years of copyright protection, sounds like libraries making it available 
> through 108 should be considered for appropriate purposes (research, 
> scholarship, preservation).
>
> mb
>
> Michael Brewer
> Team Leader for Instructional Services
> University of Arizona Library
> [email protected]
>
>
> -----Original Message-----
> From: [email protected] 
> [mailto:[email protected]] On Behalf Of Jessica Rosner
> Sent: Tuesday, April 20, 2010 8:52 PM
> To: [email protected]
> Subject: Re: [Videolib] One more title - Desert Song
>
> I hate to break the news to you Deg, but the 1929 version was never
> legally released . Warner Bros which owns it, does not have any
> material of its own but there is material at LOC. There is also some
> rights issues. Very curious to know what kind of label your VHS has.
>
> Jessica
>
> On Tue, Apr 20, 2010 at 10:05 PM, Deg Farrelly <[email protected]> wrote:
>> NOT to be a pest... But....
>>
>> I'm also looking for a DVD copy of the 1929 version of Desert Song with John 
>> Boles, Louise Fazenda, Myrna Loy, Carlotta King, and Johnny Arthur.
>> NOT the 1953 remake with Kathyrn Grayson and Gordon Macrae.
>>
>> We have a 1996 VHS print but are looking for the DVD.
>>
>> Jessica, you know everything..... Was this ever released on DVD?
>>
>> Thanx again.
>>
>> -deg
>>
>>
>> --
>> deg farrelly, Associate Librarian
>> Arizona State University
>> PO Box 37100
>> Phoenix, Arizona  85069-7100
>> Phone:  602.543.8522
>> Email:  [email protected]
>>
>> VIDEOLIB is intended to encourage the broad and lively discussion of issues 
>> relating to the selection, evaluation, acquisition,bibliographic control, 
>> preservation, and use of current and evolving video formats in libraries and 
>> related institutions. It is hoped that the list will serve as an effective 
>> working tool for video librarians, as well as a channel of communication 
>> between libraries,educational institutions, and video producers and 
>> distributors.
>>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues 
> relating to the selection, evaluation, acquisition,bibliographic control, 
> preservation, and use of current and evolving video formats in libraries and 
> related institutions. It is hoped that the list will serve as an effective 
> working tool for video librarians, as well as a channel of communication 
> between libraries,educational institutions, and video producers and 
> distributors.
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues 
> relating to the selection, evaluation, acquisition,bibliographic control, 
> preservation, and use of current and evolving video formats in libraries and 
> related institutions. It is hoped that the list will serve as an effective 
> working tool for video librarians, as well as a channel of communication 
> between libraries,educational institutions, and video producers and 
> distributors.
>

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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