Some very salient points here, Gary. This is one email I am keeping in a
folder (as opposed to the Inbox with holds over 2500 "incidental"
emails!
:)

Christine Crowley
Dean of Learning Resources
Northwest Vista College
3535 N. Ellison Dr.
San Antonio, TX 78251
210.486.4572 voice
210.486.4504 fax
NEW NAME AND [email protected]

-----Original Message-----
From: [email protected]
[mailto:[email protected]] On Behalf Of
[email protected]
Sent: Tuesday, June 22, 2010 10:48 AM
To: [email protected]
Subject: [Videolib] Larry D. question re streaming: few more thoughts

Hi all

On my walk to work this am, I thought of a few other issues and concerns
re the remote/local streaming question.

One of the benefits of local streaming is the unlimited concurrent use
possibilities...on the other hand, many vendor-supplied online
electronic
resources (print, included) put limits on concurrent usage, either
because
of network limits or, frankly, because the vendor wants more money for
more concurrent users.  If Newsreel, Icarus, WMM, Bullfrog, et al decide
to go to the remote access model--in whole or as one option--I would be
concerned by the imposition of such limits.

Price (ah! pricing):  the current model for abovementioned seems to have
shaken down to price of license (3-5yrs) = price of DVD x 2... In a
vendor-supplied streaming scenario, it's conceivable that an institution
may ONLY want the streamed version (and not the DVD), in which case the
above pricing is waaaaay out of line.

And speaking of DVDs:  a concern that's certainly not unique with video
is
the fate of collections and collection access in an electronic content
environment.  Let's suppose there's a partial or wholesale shift to
licensing access, rather than maintaining collections of physical
artifacts such as DVDs...We all know how volatile the video marketplace
is
(vendors keep telling us that the reason they can't offer perpetual
rights
is because THEIR contracts with filmmakers are never perpetual...right?)
What does this bode for long term access?  A move to
distributor-supplied
streamed video means that long-term access will always be an issue.
On the other hand, local delivery models usually involve taking a
purchased DVD and cranking it into digital for streamed delivery for an
institution's server.  In such models, even if the rights to stream go
away in time, there's still a DVD around.  (In fact, I'd argue that the
licenses we're currently signing with distributors to locally serve
video
should ALWAYS include a clause that says, if a title for which a
streaming
license has been purchased goes "out of distribution", the institution
has
the right to continue maintaining and delivering the digital copy)

Another thought:  seems to me that delivery from a remote distributor's
server makes arrangements such as consortial and regional buying
increasingly feasible...  Our distributor friends need to be thinking
about the pricing models for such arrangements which are both realistic
and scalable.


Gary Handman
Director
Media Resources Center
Moffitt Library
UC Berkeley

510-643-8566
[email protected]
http://www.lib.berkeley.edu/MRC

"I have always preferred the reflection of life to life itself."
--Francois Truffaut


VIDEOLIB is intended to encourage the broad and lively discussion of
issues relating to the selection, evaluation, acquisition,bibliographic
control, preservation, and use of current and evolving video formats in
libraries and related institutions. It is hoped that the list will serve
as an effective working tool for video librarians, as well as a channel
of communication between libraries,educational institutions, and video
producers and distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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