Collective minds,

I'm looking for some films that deal with children and spirituality.  It's
for a Nursing course, so I am guessing this inquiry tends more towards
holistic health and beliefs than simply participation in organized religion.

Best,
Scott


On Mon, Nov 1, 2010 at 12:36 PM, <[email protected]>wrote:

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>   1. Re: Cool reference question...your assistance? (Darby Orcutt)
>   2. Re: Cool reference question...your assistance? (Mike Tribby)
>   3. Re: Cool reference question...your assistance? (Anthony Anderson)
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> ----------------------------------------------------------------------
>
> Message: 1
> Date: Mon, 01 Nov 2010 13:18:31 -0400
> From: Darby Orcutt <[email protected]>
> Subject: Re: [Videolib] Cool reference question...your assistance?
> To: [email protected]
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Gary,
>     A fun project, indeed. My first thought was the way the credits
> sought to preserve some modesty in the opening sequence of /Barbarella/.
> Best,
> Darby
>
> Darby Orcutt
> Assistant Head of Collection Management
> North Carolina State University Libraries
> Box 7111
> Raleigh, NC  27695-7111
> 919/ 513-0364
> 919/ 513-1108 fax
> [email protected] <mailto:[email protected]>
>
>
>
> On 11/1/2010 11:43 AM, [email protected] wrote:
> > Hi all
> >
> > An ex-Berkeley faculty friend has posed a very cool reference
> question...I
> > can use your help:
> >
> > I'm looking for examples of films that do interesting
> > things with words, either written or spoken, or (at the other extreme)
> try
> > to do without words. I've got lots of silent films with title cards I can
> > use, but I am looking for others. Some that come to mind include The Man
> > with the Movie Camera, My Dinner with Andre, and Koyaanisqatsi. Any
> > further suggestions? I'm interested in credits, subtitles, words on sets,
> > dialogue, voiceover, etc.
> >
> >
> > I've come up with Bob Dylan's lyric cards for Subterranean Homesick Blues
> > in "Don't Look Back"; the "meta" credits from the movie Stranger Than
> > Fiction; Buster Keaton in Samuel Beckett's "Film"(1965); and--oddly
> > enough--two Steve Martin Films (LA Story's sentient freeway sign and C.D.
> > Bales' [i.e. Cyrano's] hilarious put-down speech: "Let's start with...
> > Obvious: 'scuse me, is that your nose or did a bus park on your face? ")
> >
> > I think Adaptation might have some relevant stuff, but I can't quite
> > remember.
> >
> > What do you say?
> >
> > Gary Handman
> > Director
> > Media Resources Center
> > Moffitt Library
> > UC Berkeley
> >
> > 510-643-8566
> > [email protected]
> > http://www.lib.berkeley.edu/MRC
> >
> > "I have always preferred the reflection of life to life itself."
> > --Francois Truffaut
> >
> >
> > VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
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> ------------------------------
>
> Message: 2
> Date: Mon, 1 Nov 2010 12:18:51 -0500
> From: Mike Tribby <[email protected]>
> Subject: Re: [Videolib] Cool reference question...your assistance?
> To: "'[email protected]'" <[email protected]>
> Message-ID:
>        <
> ae5353cc4a55324e832da208826294aca966f9e...@qbimail.qbi.quality-books.com>
>
> Content-Type: text/plain; charset="us-ascii"
>
> Clockwork Orange. I couldn't hack through the Droogie talk in the book, but
> it works in the film.
>
>
>
>
> Mike Tribby
> Senior Cataloger
> Quality Books Inc.
> The Best of America's Independent Presses
>
> mailto:[email protected]
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Mon, 01 Nov 2010 10:36:38 -0700
> From: Anthony Anderson <[email protected]>
> Subject: Re: [Videolib] Cool reference question...your assistance?
> To: [email protected]
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
>
> The opening to Ken Russell's *The Devils*!  O:-)
>
>
>
> *******************************
> Anthony E. Anderson
> Social Studies and Arts & Humanities Librarian
> Von KleinSmid Library
> University of Southern California
> Los Angeles, CA 90089-0182
> (213) 740-1190  [email protected]
> "Wind, regen, zon, of kou,
> Albert Cuyp ik hou van jou."
> ********************************
>
>
>
>
> >
> >
> > On 11/1/2010 11:43 AM, [email protected] wrote:
> >
> >>Hi all
> >>
> >>An ex-Berkeley faculty friend has posed a very cool reference
> question...I
> >>can use your help:
> >>
> >>I'm looking for examples of films that do interesting
> >>things with words, either written or spoken, or (at the other extreme)
> try
> >>to do without words. I've got lots of silent films with title cards I can
> >>use, but I am looking for others. Some that come to mind include The Man
> >>with the Movie Camera, My Dinner with Andre, and Koyaanisqatsi. Any
> >>further suggestions? I'm interested in credits, subtitles, words on sets,
> >>dialogue, voiceover, etc.
> >>
> >>
> >>I've come up with Bob Dylan's lyric cards for Subterranean Homesick Blues
> >>in "Don't Look Back"; the "meta" credits from the movie Stranger Than
> >>Fiction; Buster Keaton in Samuel Beckett's "Film"(1965); and--oddly
> >>enough--two Steve Martin Films (LA Story's sentient freeway sign and C.D.
> >>Bales' [i.e. Cyrano's] hilarious put-down speech: "Let's start with...
> >>Obvious: 'scuse me, is that your nose or did a bus park on your face? ")
> >>
> >>I think Adaptation might have some relevant stuff, but I can't quite
> >>remember.
> >>
> >>What do you say?
> >>
> >>Gary Handman
> >>Director
> >>Media Resources Center
> >>Moffitt Library
> >>UC Berkeley
> >>
> >>510-643-8566
> >>[email protected]
> >>http://www.lib.berkeley.edu/MRC
> >>
> >>"I have always preferred the reflection of life to life itself."
> >>--Francois Truffaut
> >>
> >>
> >>VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
> >>
> >>
> >------------------------------------------------------------------------
> >
> >VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
> >
> >
>
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> End of videolib Digest, Vol 36, Issue 4
> ***************************************
>



-- 
Scott Spicer
Media Outreach and Learning Spaces Librarian
University of Minnesota Libraries - Twin Cities
341 Walter Library
[email protected]    612.626.0629
Media Services: lib.umn.edu/media
SMART Learning Commons: smart.umn.edu
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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