This is interesting, because at the PLA Spring Symposium, someone had a program on material delivery - basically saying physical items such as books, cds and dvds, etc are on the way out because everyone wants downloads. It was very depressing.
Becky Tatar Periodicals/Audiovisuals Aurora Public Library 1 E. Benton Street Aurora, IL 60505 Phone: 630-264-4100 FAX: 630-896-3209 blt...@aurora.lib.il.us www.aurora.lib.il.us -----Original Message----- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Deg Farrelly Sent: Friday, April 01, 2011 1:34 PM To: "videolib@lists.berkeley.edu" Subject: [Videolib] New proposed pricing model for streaming "Hollywood"films FYI -- deg farrelly, Full Librarian Mail Code 1006 Arizona State University P.O. Box 871006 Tempe, AZ 85287 Phone: 480.965.1403 Email: deg.farre...@asu.edu Hollywood Challenges Netflix, Offers VOD Rentals NBC Bay The top studios have agreed to rent "premium VOD" movies for $30 a pop. What does that have to do with the Web? Everything and nothing, it appears. On the news, NBC Bay Area writes: "Now Hollywood is trying to circumvent the Internet but at the same time offer its own video rental service." As GigaOm explains, "The introduction of Home Premiere comes as Hollywood faces sharp declines in box office revenues and theater attendance" -- for which the Web is partially responsible. "By introducing a new VOD rental window 60 days after films have their theatrical release, Hollywood studios are betting they can capture viewers in their homes." All participating in premium initiative, Warner Bros., Universal and 20th Century Fox "have already succeeded in fending off companies like Netflix and Redbox, forcing them to wait 28 days after a film bows on DVD to offer those titles for rent through their online services," reports Variety. "Those same studios wouldn't mind lengthening that window even longer and have considered pursuing such talks. "The fact that Hollywood can try it illustrates why the movie business is faring much better against the digital disruption that has blown apart the music and newspaper businesses," MediaMemo explains. "Hollywood has conditioned moviegoers to the notion of 'windows,' which gives it the ability to charge different prices at different times in a product's life." Adds MediaMemo: "Even if you have no idea what a window is, you know you pay a certain amount to watch a movie in a theater, a different price to buy it on DVD, a different price to rent it via Apple's iTunes, or a certain amount a month to get it via Netflix, etc. ... That flexibility is now the envy of other media businesses that are just now trying to get there." Still "It remains to be seen if the new service will be able to compete with the growing number of online services," Softpedia writes. "Netflix may be the poster child, but Amazon and others are mak ing good progress." Naturally, the effort is drawing plenty of criticism and vitriol. "Hopefully [the premium initiative will] shrivel up and die before it contaminates any other VOD offerings," writes Gizmodo. "I'd pay $30 to watch the funeral." http://www.mediapost.com/publications/?fa=Articles.showArticle&art_aid=1 47875&lfe=1 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
