> ***Weapons of the Spirit *(Pierre Sauvage, France, 1987). It's not a > pretty website but http://www.chambon.org/weapons_en.htm and it is one of > my favorite of the occupation films. > > ***Who Shall Live & Who Shall Die *(Laurence Jarvik, USA, 1982) Laurence > Jarvik is all over the internet. His blog says his email is > > lajarvik-at-earthink.net<http://www.blogger.com/profile-find.g?t=i&q=Email:+lajarvik-at-earthink.net> > -- please send him my regards though it's been 20+ years since we've > talked when I was at Kino. > > **The Sorrow and the Pity (Marcel Ophüls, France, 1969) That is indeed > ours, as is It Happened Here and Hitchock's Bon Voyage and Aventure Malgache > -- our films about under the occupation(s). > > *A Propos de Nice *(Jean Vigo, France, 1930). Janus Criterion is coming > out with this next month. > > *American Experience: The Murder of Emmett Till *(Stanley Nelson, USA, > 2003) His website is http://firelightmedia.tv/stanley-nelson/ > > *Harlan County *(Barbara Kopple, USA, 1976) Harlen County is with > Janus/Criterion as I assume the making of is. If they can't provide this, > Barbara's company Cabin Creek Films is on the web. > > *The Making of 'Harlan County USA’ *(Barbara Kopple, USA, 2006) > I would also check out our next release YOU GOT TO MOVE ( www.yougottomove.com) which involves the individual's empowerment to change society for the better. WINTER SOLDIER (www.wintersoldierfilm.com) is also amazing... That was Barbara's first film as director as it was YGTM's director, Lucy Massie Phenix.
-- Best regards, Dennis Doros Milestone Film & Video/Milliarium Zero PO Box 128 Harrington Park, NJ 07640 Phone: 201-767-3117 Fax: 201-767-3035 email: milefi...@gmail.com www.milestonefilms.com www.ontheboweryfilm.com www.arayafilm.com www.exilesfilm.com www.wordisoutmovie.com www.killerofsheep.com <http://www.killerofsheep.com> AMIA Austin 2011: www.amianet.org Join "Milestone Film" on Facebook! Follow Milestone on Twitter! <http://twitter.com/#!/MilestoneFilms>
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
