Perhaps I might not put it as strongly as Jessica, but yes, here are a few
suggestions for additions, as this is sort of a hobby and job for me to find
rights holders. And I know you can't do it (though should) for 1000+ films,
you're really only duping one at a time if you're following 108 correctly.
But anyway, just to put it out here for people who are desperate to find a
film...

1) Distributors first and foremost. (You're guidelines is really based on
calling Warner Brothers and not Milestone or Zeitgeist. If we no longer own
a film, we know 99% of the time who does and are willing to share. It is
very liable that you don't call the licensed distributor to see who owns the
distribution rights for a film.)
2) Frameworks listserve (this kind of question on finding contact
information for directors occurs at least once a day)
3) Facebook and LinkedIn (they can find you many, many directors and
producers)
4) Cinando.com (lists contact information for just about every distributor
in the world)
5) Directors Guild of America

There's many others, but this is where I start.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: [email protected]
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com/>
AMIA Austin 2011: www.amianet.org
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On Thu, Sep 22, 2011 at 11:41 AM, <[email protected]> wrote:

> Following on the, um, lively 108 discussion of the past few days, I am
> going to share some ideas regarding appropriate due diligence and research
> guidelines Berkeley is developing (in connection with the NYU/Berkeley
> Mellon project).
>
> The attached represents preliminary thinking regarding what we think is
> reasonable research in advance of invoking 108.
>
> Gary Handman
>
>
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues
> relating to the selection, evaluation, acquisition,bibliographic control,
> preservation, and use of current and evolving video formats in libraries and
> related institutions. It is hoped that the list will serve as an effective
> working tool for video librarians, as well as a channel of communication
> between libraries,educational institutions, and video producers and
> distributors.
>
>


--
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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